What You Talkin’ Bout, Willits? Max for Live!

By JyKang in Electro-Acoustic 0 Comment

We interrupt our usual broadcasting to bring you a special preview of the unreleased Max for Live!

Ableton gave Christopher Willits the green light to show off some of
the features from the not-yet-released Max for Live. If you’re a
digital-signal-processing dork like us, you know this represents an
exciting leap forward.

Tune in once a month as Christopher shows us some of the ways he
produces his own music, as well as the many cool things you can do with
recording software. According to Christopher, “I simply want to excite
people’s imaginations and creative processes so they can more easily
create the sounds and music and art they love.”

Web sound synthesis

By JyKang in Electro-Acoustic 0 Comment

 Web에서 Synthesis를 즐겨보자.

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http://ccrma.stanford.edu/~jorgeh/projects/ass/fm/

다양한 method와 multimedia를 통한 Sound Synthesis가 대세인 요즘 웹상에서 synthesis를 한다는것도 별로 놀랍지 않지만 단순히 웹상에서 즐기는 Synthesis가 아닌 Network를 통한 연주방법과 새로운 방식의 앙상블의 가능성을 생각하면 재미있는 결과가 나올수 있는 툴이 될 수 있을것이다.

그의 홈페이지에 가면 더 다양한 결과물을 볼 수 있다.

링크 :http://ccrma.stanford.edu/~jorgeh/

MacPOD 2.0

By JyKang in Electro-Acoustic 0 Comment

New MacPod is released. 

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MacPOD is named in honour of the original POD GSAMX system developed by Barry Truax at Simon Fraser University.

MacPOD uses granular synthesis of audio files to generate a wide range
of effects from time compression/expansion to richly varied spectral
transformations.

MacPod (Intel) [2009] reprises the original MacPOD, first released in 1998 (and recipient of a Bourges Festival  award).

Features:
Ultra-long time-stretching and freezing;
34 voice real-time granulation of sampled sound creates expansive textures from speech sounds, sound objects or other recordings;
Auto-stretch preserves transients;
Equalizer and resonator section;

System Requirements: Mac OS X (Intel) (Leopard 10.5).

Go here to download :http://www.thirdmonk.com/MacPOD.html