The San Francisco Tape Music Festival! Jan 7-9, 2011



sfSound and the San Francisco Tape Music Collective present
The San Francisco Tape Music Festival
January 7, 8, and 9, 2011
Southside Theater, Fort Mason Center
http://sfSound.org/tape

America’s only festival devoted to the performance of audio works projected in three-dimensional space, The San Francisco Tape Music Festival returns this January 7th, 8th, and 9th, 2011 at Southside Theater in Fort Mason Center.  Curated by sfSound’s SF Tape Music Collective, the festival features three distinct evenings of classic audio art and new fixed media compositions by 20 local and international composers.  The collective is one of the major proponents of live sound projection, and the members, along with guest composers, shape the sound live over a pristine surround system consisting of 16+ high-end loudspeakers while the audience is seated in complete darkness.  It’s a unique opportunity to experience music forming – literally – around you. 

This year features a special appearance by sound diffusion guru, Jonty Harrison, visiting from Birmingham, England.  Harrison is the director of BEAST (Birmingham ElectroAcoustic Sound Theater), which for the past three decades has perfected the art of live surround-sound diffusion.  For the festival’s Sunday concert, Harrison will present a retrospective of his works spanning from 1982 to 2004.  This is a rare opportunity to experience a master at work, and should not be missed!

The two other concerts on the festival feature a diverse range of music the festival is known for: a rarely heard early work by Pierre Boulez;  well-known masterpieces by Jean-Claude Risset, and Francis Dhomont; a turntable-based piece by sound artist Christian Marclay; modern acousmatic works by international composers Adrian Moore, Dixie Treichel, Donal Sarsfield, and Ilya Y. Rostovstev; and a few experimental cuts from the 80’s electro-pop group, The Art of Noise.

The festival is also remembering the work of German avant garde composer Mauricio Kagel and American sound-structalist Maryanne Amacher, both extremely talented and important composers that the tape music community recently lost. 

As in past annual SF Tape Music Festivals, this year’s festival features new works by a diverse selection of local music, including field-recording based pieces by Paul Dresher, Thom Blum, Cliff Caruthers, and Heather Frasch; noise-works by bran(…)pos and Kyle Bruckmann; and acousmatic pieces by Matt Ingalls, and Silvia Matheus.

The annual San Francisco Tape Music Festival — It’s cinema for your ears!

THE SAN FRANCISCO TAPE MUSIC FESTIVAL 2011 (Jan 7-9, 2011)
Southside Theater
Fort Mason Center
Building D
Marina Blvd. and Buchanan St., San Francisco
8pm, $15 [$8 underemployed] each night
$30 3-day festival pass
http://sfSound.org/tape

PROGRAM

FRIDAY 8pm
Mauricio Kagel – Antithèse (1962)
Jean-Claude Risset – Sud (1985)
Christian Marclay – Jukebox Capriccio (1985)
Paul Dresher – Other Fire (1984)
bran(…)pos – Pinball Paneer 2 (2010)
Silvia Matheus – Crossings (2006)
Adrian Moore – Superstrings (1999)

SATURDAY 8pm
Pierre Boulez – Étude (1951)
The Art of Noise – Flesh in Armour (1983)
Maryanne Amacher – Synaptic Island (excerpt) (1998)
Francis Dhomont – Vol d’arondes (2001)
Thom Blum – Post from Rajasthan (2007)
Kyle Bruckmann – Orgone Accelerator (2010)
Cliff Caruthers – Open Door (2011)
Matt Ingalls – poem (2011)
Heather Frasch – Sonic Postcard: Philly (2010)
Ilya Y. Rostovtsev – Understatements.[i] (2010)
Donal Sarsfield – Of Noise Alone (2010)
Dixie Treichel – Interstellar Espionage (2007)

SUNDAY 8pm
Jonty Harrison IN PERSON!!!
       diffusing a concert of his own works:
Klang (1982)
…et ainsi de suite… (1992)
Rock’n’Roll (2004)
Streams (1999)
Hot Air (1995)

funded in part by:
The San Francisco Grants for the Arts and The Aaron Copland Fund for Music
equipment provided by:
The Paul Dresher Ensemble and Meyer Sound
“co-presented” sponsorship by KFJC 89.7 FM

http://sfSound.org/tape

서울국제컴퓨터음악제 2010

2010년 9월 2일(목)부터 9월 5일(일)까지 예술의전당 자유소극장에서 한국전자음악협회(KEAMS)가 주최하는
서울국제컴퓨터음악제(SICMF) 2010이 개최됩니다. 서울국제컴퓨터음악제는 악기, 컴퓨터음향, 영상, 무용 등의 매체가
어우러지는 전위적인 공연으로 음악과 테크놀러지가 어떻게 조우하고 결합되는지를 보여준다는 점에서 해마다 차별화된 공연을 선사하고
있습니다. 아시아에서 최초로 기획된 컴퓨터음악제인 서울국제컴퓨터음악제는 94년에 시작되어 올해로 17회를 맞이합니다. 그 동안
국내외에서 활발하게 활동하고 있는 작곡가들의 뛰어난 작품들에 의해 국내는 물론 전세계 컴퓨터음악의 주요한 흐름을 파악하고 주도하는
음악제로 성장했으며, 많은 해외의 작곡가들이 연주하고 싶어하는 무대가 되었습니다. 해마다 세계 각국의 작곡가들이 작품을 응모하고
이 중 엄선된 작품들이 연주되는데 올해에도 200여편에 달하는 작품들이 응모되었고 이 중 22 작품이 선정되어 연주됩니다.

또한 올해에는 독일의 대표적인 현대음악 연주단체인 앙상블 아방튀르(Aventure)가 초청됩니다. 앙상블 아방튀르는
1986년 독일의 프라이부르크에서 창단된 15인조 현대음악 전문 연주단체로서 유럽에서 가장 오래되고, 의미있는 연주단체입니다.
프라이부르크의 음악회 시리즈를 비롯하여, 전세계의 많은 작곡가들과의 활발한 교류를 통한 위촉 및 초연을 주도하면서, 전통과
아방가르드의 연결, 철저히 새로운 것들의 지원, 잊혀진 것들의 재발견, 시대와 문화를 통합하는 프로그램 등을 수행해 나가고
있습니다.

이번 공연에는 플루트의 Martina Roth, 클라리넷의 Walter Ifrim, 베이스트롬본/튜바의 Thomas Wagner가
초청되어 Luigi Nono, Richard Dudas, 임영미, Roland Breitenfeld, 이돈응의 작품이
연주됩니다.

SICMF 2010 :: 프로그램

9월 2일 (목)
Concert 1

pm 7:30

자유소극장
David Berezan : Nijo

윤제호 : “Memory” for Violin, Violoncello and live electronics

이병무 : “Elastomer ver.3” for Tape

김은진 : “그리움의 침묵” for Daegeum, Gayageum, Ajaeng and Tape

Manuella Blackburn : Karita oto (Borrowed Sound) Part 1

Chikashi Miyama : Piano Chimera

김미정 : “Spirit’s Sound” for Haegeum and live-electronics


9월 3일 (금)
Seminar 1

pm 3:00

한국예술종합학교 음악원 (서초동) 402호 전자음악실
Cort Lippe

실시간 상호작용 : 연주자와 기계간의 음악적 표현성

Concert 2

pm 7:30

자유소극장
Clemens von Reusner : BRNK

John Croft : “…ne l’aura che trema”

강중훈 : Chime II

Jason Bolte : Noises Everywhere

Francis Dhomont : Sisyphe

이은화 : “Rattling sound” for computer generated music

Juan José Eslava : “Under Construction” for classic guitar and electronics


9월 4일 (토)
Seminar 2

pm 3:00

한국예술종합학교 음악원 (서초동) 402호 전자음악실
Juan José Eslava

“Under Construction”과 “Senderos de la risa”의 작곡과정에서 나타나는 제스쳐의 연루성

Concert 3

pm 7:30

자유소극장
Jonas Foerster : Echoes of Urban Life

Konstantinos Karanthanasis : Dionysus

조진옥 : CoCo-III

Marie-Hélène Bernard : Les ailes du phénix

여계숙 : Time Sculptures III

Adam Basanta : a glass is not a glass(mov I to VI)

Cort Lippe : Music for Snare Drum and Computer


9월 5일 (일)
Concert 4

pm 7:30

자유소극장

앙상블 아방튀르(Aventure) 초청 특별 연주회

Luigi Nono : “Post-Prae-Ludium >Donau<” for tuba & live-electronics

Richard Dudas : “Prelude and Fantasy” for alto flute & computer

임영미 : “Whisper” for clarinet / bass-clarinet & electronics

Roland Breitenfeld : “Moments of Darkness” for bass-trombone & electronics

이돈응 : “Amusement” for flute, clarinet & live-electronics

Luigi Nono : “Ommagio a Kurtag” for alto, flute, clarinet, tuba & live-electronics


* 이 프로그램은 순서나 일정이 바뀔 수 있습니다.


original post/information :http://www.computermusic.or.kr/main_kr/

September sound symposium in Vienna: Does Sound Have Meaning?

Does Sound Have Meaning?

Sound Researchers & Practitioners Convene to Discuss ‘symbolic sounds’ at KISS 2010

Vienna, 24-26 September 2010: Can music and sound-effects be symbolic? Sound designers, composers, sound artists, film makers, researchers and others sharing an intense interest in sound will be convening in Vienna Austria from the 24th through 26th of September to discuss this and other, similarly controversial, issues at the annual Kyma International Sound Symposium (KISS2010): http://www.tonsalon.at.

Lively discussions, electronic/computer music performances, interactive installations, demos, workshops, and paper sessions will be held in the newly renovated Casino Baumgarten, a spectacular ballroom built in 1890 (http://www.tonsalon.at/KISS2010/index.php/location), and the Rhiz Bar Modern, a showcase for experimental media in Vienna (http://rhiz.org/).

http://www.symbolicsound.com/zzz/pub/Company/UpcomingKymaEvents/CasinoBaumgartenViewfromStage.jpg ]

Join in the free on-line discussion

Anyone having an intense interest in sound is invited to join in the free on-line discussion at http://pphilosophyofsound.ning.com, a new forum created by symposium co-organizer, Peter Rantasa. Sign in and introduce yourself by sharing your earliest sonic memory. Discussions on sound, symbol, and meaning have already begun and will continue during and after the symposium. You can participate on line whether or not you are able to attend the symposium in Vienna.

To register for KISS2010:

The registration deadline for participating in KISS2010 is 13 September 2010. The participation fee of ¤ 90 (¤ 40 for students) includes the 3-day symposium, morning/afternoon refreshments, and 2 evening concerts. To register, please visit: http://www.tonsalon.at/KISS2010/index.php/registration/essentialreading before 13 September 2010.

Background

The Kyma International Sound Symposium (KISS) is an annual conclave of current and potential Kyma practitioners who come together to learn, to share, to meet, to discuss, and to enjoy a lively exchange of ideas, sounds, and music! Kyma is a sound design environment created by Symbolic Sound Corporation (http://www.symbolicsound.com). This year, the KISS symposium is being organized by Wiener Klangwerkstatt in cooperation with Symbolic Sound and with the support of Analog Audio Association Austria, Preiser Records, and the Austrian Federal Ministry of Science and Research.

Conference Contact Information:

Barbara Kopf
KISS 2010 Conference office
Email: office.KISS2010@tonsalon.at
Telephone: +43 (0)650 212 1646
Web: http://www.tonsalon.at/KISS2010