2011 New Music Miami ISCM Festival Series요

2011 New Music Miami ISCM Festival Series에서 작품을모집합니다. 다양한 작품포멧이 있으니 관심있으신 분들은 참여해보세요. 데드라인이 10월 15일이네요.


**Call for Works: 2011 New Music Miami ISCM Festival Series***

The Miami Section of the International Society for Contemporary Music (ISCM) at Florida International University (FIU) is pleased to announce a call for scores for possible performance at the New Music Miami ISCM Festival Series being held in the Spring of 2011 and as part of the NODUS Ensemble’s Spring 2011 concerts. The call is open to all composers without restrictions.

Works that employ the following instrumentations will be considered:

~ NODUS Ensemble (up to 5 performers in any combination one on a part: flute (picc/alto), clarinet (Bb/bass), trumpet, piano, percussion, violin, viola, cello, contrabass, classical guitar, soprano and/or tenor, may incorporate electronics and/or video)

~ Electro-Acoustic Works (including the NODUS Ensemble)

~ Fixed Media Works and/or Live-Electronics

~ Installations

~ Chamber/String orchestra (FIU Symphony Orchestra)

Due to programming considerations works over 15 minutes will not be considered.

SUBMISSION GUIDELINES

***Postmarked Deadline: October 15***

To submit works, please first fill out the online submission form available at the New Music Miami web site: http://www.newmusicmiami.org/.

Up to 2 works may be submitted with a processing fee of $20 US for the first work and $10 US for the second (foreign currency will not be accepted).

Please make checks payable to the FIU SCHOOL OF MUSIC (do not send cash).  Note that submissions with missing checks or checks NOT made out to the FIU SCHOOL OF MUSIC will be rejected. Credit card payment is acceptable.  Please make sure to include a signed statement authorizing the use of the card for the amount specified, the type of card, card number, and expiration date (incomplete authorizations will be rejected).

In addition to the score, a recording of the work (CD or DVD – no MIDI please) is very strongly recommended. Parts must be immediately available if applicable.  Please do not send originals of any materials.

Since blind judging is employed, make sure that your name does not appear on the score or recording (please DO include the title of the work on both). Selections announced in December via email. The number of works selected will depend on the submissions.

PLEASE MAIL ALL ITEMS TO:
FIU School of Music
NMM Selection Committee
11200 SW 8 St., Rm 142
Miami, FL 33199

For answers to any questions, please email info@newmusicmiami.org

csound~ v1.1.0

MAXMSP용 Csound~가 업데이트 되었습니다.

csound~ v1.1.0 is now available at:

http://www.davixology.com/csound~.html

csound~ is now compiled using the Max5 SDK, which means there is no Max4
version.
Also, I’ve dropped support for ppc mac.  As always, feedback and bug reports
are welcome.

Here is the changelog:

v1.1.0

(** = backwards compatibility issue)
(*  = deprecation issue)

– Rewritten using C++, STL, and Boost for added robustness and lower
maintenance effort.

– Better cooperation with Max threading architecture (potential hangs
eliminated, now
 using spinlocks).

– Uses Max5 attributes (there’s a csound~ tab in the inspector window).

– Can specify Max objects in the orchestra. Format is “<~> … </~>” where
“…”
 is a Max script for creating an object.

– Messages printed to the Max window can now be traced back to a specific
csound~
 instance by double-clicking on a line in the Max window.

– Warnings are colored light orange in the Max window instead of red.

– Can save sequences as JSON or XML files (in addition to binary format).

– If @matchsr attribute is 1, csound~ will auto recompile Csound with
sample-rate
 overrides whenever host sample-rate does not equal Csound sample-rate.
ksmps will
 be preserved.

– Fixed deadlock issues when using outlet data to trigger other csound~
functions.

– Fixed memory deallocation bug when running debug build of csound~.

– If csound~ is in bypass mode, sending “start” or “bang” to compile the
orchestra
 will not be followed by an automatic run of 1 k-cycle performance.

– If csound~ is in bypass mode, MIDI bytes are not queued.

– Non-editable attribute @nolatency tells you when csound~ is processing
audio
 without latency.

** No longer Max4 compatible.

** rsidx output message format has changed to: “rsidx table# index value”.

* @start is deprecated. Please use @autostart instead.

* @scale and “noscale” is deprecated. Audio is automatically scaled when
0dBFS
 levels don’t match.