New Music in New Places – Request for Proposals

Call for Proposals
New Music in New Places Project 2008-2009 (Fifth Round)

The Prairie Region Office of the Canadian Music Centre has received a grant from The SCAN Foundation and Canadian Heritage to present Canadian music in alternate spaces, and invites proposals from interested professional concert presenters.

The objective of the project is to attract new audiences to contemporary Canadian music through imaginative and innovative presentations in non-traditional settings, including but not limited to galleries, museums, public spaces, and other suitable locations where new music is not normally heard.

Successful candidates are suggested to present a FREE, public event in their proposed alternate venue featuring a program of music by contemporary Canadian composers. An Associate Composer of the Canadian Music Centre must be the focus of the event – for a complete list, see the “Find a Composer” section of the CMC website. (http://www.musiccentre.ca/). The event will imaginatively utilize the non-traditional venue. It must take place before March 2nd, 2009 and must be an event that would not have otherwise taken place. Other fund-raising is not required but if other funds are needed they must be confirmed. Presenters will be required to submit a report (“Impact Report”) to CMC Prairie Region by March 6, 2009, detailing the outcome.

Grants of up $1,000 to individuals and up to $2,500 for ensembles and presenters will be allocated by the jury. In the first four rounds, thirty one projects were funded. Please note that fewer funds are available this round.

The successful applicant will promote and publicize the event in coordination with CMC Prairie Region.

Eligibility
Professional concert presenters based in Manitoba, Saskatchewan, and Alberta with a demonstrated commitment to the performance of contemporary Canadian music are encouraged to apply; all concert-music genres (choir, electro acoustics, ensemble, orchestra, solo, and so on) are welcome.

Events cannot be funded retroactively.
Grants may not be used for commissioning of new works.
How to Apply
An application form is appended to this document. Please include a letter of permission from the participating venue.

Deadline: Complete applications MUST BE RECEIVED (not postmarked) on or before August 8, 2008, 4:30pm. Applications may be mailed or delivered in person ONLY to:

Canadian Music Centre-Prairie Region
New Music in New Places Application
2500 University Drive N.W.
Calgary, AB T2N 1N4

A jury of non-participating musicians will select the successful candidates from the pool of submissions; results will be announced August 25.

Please direct any questions to John Reid at:
prairie@musiccentre.ca 403-220-7403


________________________________

Application for New Music in New Places Grant

Contact Information
Presenter/Applicant/Contact:________________________________________________________
Address:________________________________________________________________________
  _________________________________________________________________________
Telephone:______________________________________________________________________
Email:__________________________________________________________________________
Grant Amount Requested
Individual performers may request up to $1,000, ensembles and other presenters up to $2,500. A detailed budget must be submitted, and you must be able to complete the project for the amount you request. CMC-Prairie Region will not fund budget overruns. Other fund-raising is not required but if other funds are needed, they must be confirmed.
  $ _________________

Experience as a Presenter of Canadian Music
Please provide a description of your work as a presenter of Canadian contemporary music; you may include other relevant information such as your commissioning history, workshops or master-classes you’ve conducted, and so on.

Brief Project Outline
Please discuss any specific approaches you may be considering for this event. For example, what element(s) will unify the presentation? What alternate venue are you considering, and how will the music integrate with it? Will the presentation’s structure follow that of a traditional concert, or will it differ somehow? How will the event focus attention on an Associate Composer of the CMC? Projects must fulfill the criteria set forth in the Call For Proposals.

Checklist
• Completed, signed application form (incomplete or unsigned application forms will not be considered).
• A detailed budget for the proposed event.
• A selection of programs of past performances of Canadian music (no originals, please).
• Deadline: Must be received at CMC Prairie Region (not postmarked) on or before August 8, 2008, 4:30pm.
• Please submit the application to:

Canadian Music Centre, Prairie Region
2500 University Dr. N.W. Calgary, AB T2N 1N4

Applications may be mailed or delivered in person ONLY.

Please direct any questions you may have to John Reid at:
  prairie@musiccentre.ca 403-220-7403

Signature of Artistic Director, Manager, or staff person responsible (include date):



____________________________________________ ________________________ , 2008






NAISA 2008 Call for submissions

NAISA 2008 Call for Submissions on the theme
Ecology: Water, Air, Sound
Categories: Radio Art, Electroacoustic Music, Videomusic and 
Installation Art
September 30, 2008 Deadline
www.naisa.ca

New Adventures in Sound Art invites artists of all ages and 
nationalities to submit works on the theme Ecology: Water, Air, Sound 
for consideration in 2009 future programming for the annual Deep 
Wireless, Sound Travels, and SOUNDplay festivals, produced by New 
Adventures in Sound Art in Toronto, Canada. Artists may submit works 
in one or all of the following four categories: 1) Radio Art, 2) 
Electroacoustic Music, 3) Videomusic and 4) Installation Art (Note: 
please send separate submission forms for each entry).

Individual interpretations or variations on the theme are encouraged: 
Ecology: Water, Air, Sound, but should be realized with sound as the 
primary component.

All submitted works must respond in some way to the theme Ecology: 
Water, Air, Sound in order to be considered for 2008 NAISA programming.

1) Radio Art (for Deep Wireless)

The Radio Art category is for works conceived for radio or that use 
radio and other wireless technology in their creation and that play 
with the medium. Works submitted to this category must be less than 
60 minutes in duration. Special consideration will be given to 1 
minute radio art pieces for broadcast as well as 1 page proposals for 
collaboration on translocal broadcast performances.

Pieces will be selected for broadcast within Canada and on several 
international radio stations in May 2008 as part of the Deep Wireless 
festival of radio and transmission art.

Both Canadian and International radio art submissions will be 
considered for inclusion in the following:

-The Deep Wireless 6 radio art compilation CD
-The Radio Art Interventions (1 minute pieces played guerilla-style 
on radio stations during the Deep Wireless festival)
-The Radio Art Salon – a listening gallery of radio art works 
exhibited for the month of May.

A small number of Canadian artists will be chosen from the 
submissions to be part of the Deep Wireless/CBC’s Outfront 
Commissioning Programme in 2009.

2) Electroacoustic Music (for Sound Travels)

The Electroacoustic Music category is for multi-channel and stereo 
works less than 20 minutes in duration and conceived for concert 
performance or presentation in the Sound Travels festival of sound 
art on Toronto Island. Preferred formats for performance presentation 
include 5.1, octaphonic and 12 channel formats in both acousmatic 
(tape), live and mixed formats. Please indicate in the notes the 
intended format of presentation and any required instrumentation or 
specialized equipment.

3) Videomusic (for SOUNDplay)

The Videomusic category is for works that explores non-narrative 
abstraction with equal emphasis on sound and image. Submitted works 
will be considered for video screenings with either stereo or multi- 
channel playback. Submitted works will be considered for screenings 
in either a performance venue or a small-size gallery alongside other 
works selected from this call for submissions.

4) Installation Art (for Deep Wireless, Sound Travels or SOUNDplay)

Installation proposals of previously realized works for site-specific 
and gallery installations with no fixed duration will be considered 
for presentation as part of Deep Wireless, Sound Travels or 
SOUNDplay. Site-specific works can be for indoor or outdoor 
locations. Works can use multichannel or single channel playback and 
may incorporate any number of media, but must feature original sound 
as a primary element. Please attach a list of the necessary equipment 
required to mount the installation and which of these items can be 
supplied by the artist. Submissions should include audio, video or 
audio-video documentation of previously realized versions of the work.

Submission Guidelines

Please submit a completed application form (in digital format if 
possible) along with the proposed works on CD or DVD.

For multichannel works, please include a stereo reduction for 
reference purposes only. For video works, please include a DVD copy 
for reference only. Screening masters will be requested later if the 
work is to be programmed. For installation works, please attach a 
list of required equipment with indications of equipment that can be 
supplied by the artist.

Materials not submitted with a self-addressed stamped envelope will 
remain in the archives of New Adventures in Sound Art and will not be 
returned. Please don’t send original copies.

Submissions must be postmarked no later than September 30, 2008 and 
mailed to: New Adventures in Sound Art, 103 Beaconsfield Ave., main 
floor, Toronto, ON M6J 3J3.

Submission Entry Form (attach extra pages if needed)

1) Name of creator/s: ______________________________________

2) Address of creator/s: _____________________________________

City, Province, Postal Code: _________________________________

3) Phone number of creator/s: (____) __________________________

4) E-mail of creator/s: ___________________________________

5) Category of Submission (check one only per work): _____ Radio Art 
______ Electroacoustic Sound art ______ Videomusic _____ Installation 
Art.

6) Title of piece: _______________________________________________

7) Duration: _____ minutes ______ seconds

8) Names of other artists or contributors: 
_____________________________________________________

_____________________________________________________

9) Year of completion: ______

10) Relevance of the work to the theme Ecology: Water, Air, Sound:
__________________________________________________________

__________________________________________________________

11) Equipment used to create the piece:

__________________________________________________________

__________________________________________________________

__________________________________________________________

12) Do you fully own the copyright to your piece: _____ yes ______ no

13) If not please give us any additional personnel or organizations 
that we should contact in order to get permission to broadcast or 
publish the work on CD:

__________________________________________________________

__________________________________________________________

__________________________________________________________

14) Programme note for the piece (50 words):

__________________________________________________________

__________________________________________________________

__________________________________________________________

__________________________________________________________

__________________________________________________________

15) Biography of the artist (50 words):

__________________________________________________________

__________________________________________________________

__________________________________________________________

__________________________________________________________

__________________________________________________________

16) Format that you are mailing: _____ CD ______ DVD

17) Should you be chosen as one of the artists to participate in the 
Deep Wireless Commissioning Programme, you will be asked to create a 
new piece for radio broadcast and performance. Are you available to 
participate between the months of January and March 2009? _____ Yes 
______ No

18) Although this is an international call for submissions, the Deep 
Wireless/CBC’s Outfront Commissioning programme is restricted to 
Canadians or Landed immigrants. Are you a Canadian or Landed 
Immigrant?_____ Yes ______ No

19) New Adventures in Sound Art produces a bi-weekly community radio 
show called Deep Wireless on CKLN-FM. Would you like your submitted 
audio work(s) to be broadcast on this or other programs on CKLN-FM? 
_____ Yes ______ No

Submissions must be postmarked no later than September 30, 2009 and 
mailed to:

New Adventures in Sound Art, 103 Beaconsfield Ave, Toronto, ON M6J 3J3

Contact: Nadene Theriault-Copeland or Kate Miller at 416-516-7413, or 
naisa@naisa.ca .

Nadene Thériault-Copeland
Managing Director
New Adventures in Sound Art

http://www.naisa.ca


Call for projects – make art 2008

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NOVEMBER 08 |_| |_| |_| |___| |_|


MAKE ART 2008 – OpenOS
CALL FOR PROJECTS

Make Art is an international festival dedicated to the integration of
Free/Libre Open Source Software (FLOSS) in digital art.

The third edition of make art – OpenOS – will take place in
Poitiers (FR), from the 24th to the 30th of November 2008.

make art offers performances, presentations, workshops and an
exhibition, focused on the blurred line between art and software
programming.

We’re currently seeking new, innovative FLOSS based works and
projects: music and audiovisual performances, presentations, software
demos, and installations.

This year make art focuses on the *OpenOS*: artistic, free, creative use
of the Operating System, hackability and modularity of FLOSS and
GNU/Linux, scripts as digital glue between applications, enhanced
possibilities for the technical expression of ideas, user empowerment and
artistic freedom.

For more details, please visit http://makeart.goto10.org/call