Call for Work – Vague Terrain 12: Device Art

Vague Terrain 12: Device Art – Call for Work


Call Extended! See details below:

In our daily lives, we are surrounded by electronic or electro-mechanical devices used as conduits to deliver “content” ranging from televised operas to hip-hop ring-tones. Only rarely are the devices themselves considered to be the content. The tradition of high-tech devices as art, however, dates back to ancient machines known only from legends, through the golden ages of clockwork automata, through modern kinetic sculpture, up to the present time, when students in art colleges take courses in microcontroller programming and robotics.

Vague Terrain 12 is about the machine as art in the 21st century, with the understanding that “machine” is no longer strictly defined as “mechanical device”. We are interested in devices created as art objects, as platforms for art or performance, devices as unique objects, and mass produced devices, produced either as art multiples, or as tools for artistic pursuits.

We are seeking submissions in all formats- audio, video, photographic documentation, and text. Submissions can be documentation of work, or can deal with artistic or creative practice with respect to device art.
If you are interested in submitting work to be considered for inclusion in Vague Terrain 12: Device Art please contact guest curator Rob Cruickshank through his Vague Terrain user profile.

Additional Information

Format:
-please see http://vagueterrain.net/content/journal/submission-guidelines for full submission guidelines. Please consult this document as it is very important to read when considering the scope and deliverables of a submission.

Submission Deadline:
The submission deadline for Vague Terrain 12: Device Art is Sunday December 7th (this has been extended). Our tentative publication date is January 1st.

Curator Information:
Rob Cruickshank is a Toronto-based multidisciplinary artist. His work in various media including electronic, kinetic, and robotic installations, sound art, electroacoustic music, and photography have been exhibited in Toronto, and internationally. Much of his work is associated with InterAccess Electronic Media Arts Centre in Toronto, where he has developed a number of hands-on workshops for artists using electronics., and is currently a member of the Board of Directors. His work combines a knowledge of physical computing with an ongoing fascination with sound, light, and motion. It is as much informed by the kinetic art of the early 20th century as it is by contemporary new media art. Works such as Spiral Inscriber (2005) combine microcontrollers with intricate electromechanical systems, reminiscent of early clockwork and mechanical devices, and reflect his interest in obsolete technologies. Many of these works are collaborative in nature, and he has been part of several long-term collaborative projects at Interaccess, such as Space Probe (1998), SenseBus (1999), Art Interface Device (2001), as well as being a member of I/O media, a collective of sound and video artists exploring real-time improvised performance.


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www.vagueterrain.net


Guthman Musical Instrument Competition

i all,

Hope to see some wonderful submissions for this new competition created with Max/MSP/Jitter!

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The first Guthman Musical Instrument Competition, presented by the Georgia Tech Center for Music Technology and Harmonix (makers of Rock Band) will award $10,000 in prizes to the best novel musical instruments as judged by a panel of experts from Harmonix, Wired, and Georgia Tech.

For more information and to submit your entry, visit:

http://gtcmt.gatech.edu/?p=662

INSTRUMENTS

Any new musical instrument is eligible for the competition. Instruments may generate sound acoustically or electronically, they may exist in physical or virtual manifestations, and they may be played by humans, robots, or computers. They may modify, improve, or extend existing instruments — including the human voice — or they may offer entirely new design paradigms. New instruments which cross over these categories or which defy any such categorization are also welcome.

PERFORMANCE

Entrants must perform a musical work with their new instrument to demonstrate its musicality, design, and engineering features. Performances may include traditional acoustic and/or electronic instruments alongside the new instrument. They may also include multimedia elements such as video, animation, graphics, text, kinesthetics, hydraulics, dance, or acting. The performed work may be composed by anyone, including the entrant, or it may be an arrangement of an existing work. It may be in any musical style. The duration should be between 2 and 10 minutes. Entrants must be prepared to perform with their instrument at Georgia Tech on February 27th-28th, 2009.

SUBMISSION

Online applications will be accepted beginning on November 15, 2008. Applications must include:
• A URL link to a video recording of the performance. Entrants may post their video on their own private web sites or on video sharing services such as YouTube. Videos must be in Flash or Quicktime formats.
• A high-resolution photo of the instrument in JPEG or PNG format.
• A statement (max 250 words) describing the instrument’s musicality, design, and engineering features.
• A description and credits (max 150 words) for the musical work performed in the video.
• A biography (max 250 words) of the entrant(s).

Applications are due online on Monday, January 5, 2009. The submission URL is http://gtcmt.gatech.edu/?p=662
Read more…

*Circuito ELECTROVISIONES 2009 // Mexico City* – CALL FOR MULTICHANNEL PIECES

Hi,

The announcement below applies to anyone interested in any of the fields described but I am now looking specifically for multi-channel pieces. If you would like to send something different please reply to: electrovisiones@gmail.com 

If you would like to send a multichannel piece please reply to me off-list, by sending:

-Brief Bio
-Stereo Mp3 of the piece (3mins should be enough and should fit in one email)
-Tech requirements and a brief description of your spatial approach in the piece.

One piece proposal per composer. Kinds considered: acousmatic and acousmatic + video, and anything you might want to propose that involves multichannel sound (installation etc…). All nationalities and backgrounds welcome. Best wishes,

Pablo

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*Circuito ELECTROVISIONES 2009 // Mexico City*

Circuito ELECTROVISIONES is a multi-discipline, not-for-profit meeting point
bringing together the most renowned collectives on electronic music,
electroacoustics specialists, curators, videomakers, plastic artists, and
domestic and international representative examples of multimedia
experimentation seeking to develop innovative proposals that formulate,
experiment and apply technology and new media.

We seek to strengthen cultural exchange between Mexico and other countries
by fostering inter-discipline activities aimed at creating spaces for
communication and discussion of proposals relating to technology, free
software, and new media. Direct contact with the public is sought by holding
workshops, lectures, exhibits, concerts, and parties while inviting
interested groups and individuals to participate.


www.electrovisiones.com

www.myspace.com/electrovisiones


* INVITATION // circuito ELECTROVISIONES 2009*

Circuito ELECTROVISIONES invites individuals and groups interested in
digital and multimedia arts to develop the activities for ELECTROVISIONES
2009, which consist in:

• Lectures

• Workshops

• Exhibitions

• Parties

• Video-art exhibitions


Interested parties may register up to two activities and send applications
to: electrovisiones@gmail.com

All activities to be comprising Circuito ELECTROVISIONES 2009 are intended
to be carried out between May 15 and 24, 2009. This period of time, as well
as the cities and venues where the activities will take place may be
extended depending on the response to this invitation.

This invitation is open starting on the date of publication. Registration
closes on December 25, 2008.

*Process for selection and publication of results*

The jury will be comprised with specialists in the field, who will also
coordinate the projects and activities at ELECTROVISIONES 2009. Their names
and decisions will be made public starting on January 2009.

*COMMITMENT *Circuito Electrovisiones is committed to provide the largest
amount of its activities for free. Interested groups and individuals must
take into account that the development of their proposals also comprises
their technical and logistical support.