Sound Travels festival

Sound Travels Festival of Sound Art

Produced by New Adventures in Sound Art

June 5 – October 1, 2008
10th Anniversary
Toronto Island
www.soundtravels.ca

Cost range: free to $10 depending on event
Festival pass $35 (includes 5 concerts)
+ your own Soundportrait by Jørgen Teller
e-mail info@naisa.ca for more info

It’s our 10th anniversary!! Sound Travels brings sound art to the outdoors on Toronto Island in a way that entices the curious and provides a unique experience each and every year. This 10th anniversary edition includes installations and performances throughout the summer as well as the 2nd annual Toronto Electroacoustic Symposium, workshops, SOUNDwalks and youth residencies.
SOUND TRAVELS INSTALLATIONS (remaining)

SYNTHECYCLETRON
by Barry Prophet
between the pier and the boardwalk on Centre Island
runs 24/7 June 22 – Oct 1, FREE

Participants on Synthecycletron generate power by pedaling which in turn activates synthesizers and generate sounds as they move while sitting on the sculpture. There are several performances scheduled to happen using the sound sculptures as instruments.

SONIC BOARDWALK
by Kristi Allik and Robert Mulder
on the west end of the boardwalk on Centre Island
opens June 27, 2008 @ 7pm / runs 24/7 June 27-Oct 1, FREE

Sonic Boardwalk, by Robert Mulder and Kristi Allik, is a sound installation located on the Ward Island boardwalk that generates a microsonic landscape that is activated by the kinetic imprint of passing visitors. For a review of the 2006 presentation of Sonic Boardwalk go to NOW Review

RESONATING BODIES, BUMBLE ROOM
by Sarah Peebles, Rob King, Anne Barros and Robert Cruickshank
at *new* gallery, 906 Queen W., Toronto (corner of Crawford and Queen W.)
July 4-27, 2008
Opening Reception Saturday July 12th @ *new* 4-6pm, FREE
Followed by “The forgotten Pollinators” talk by Dr. Stephen L Buchmann
at InterAccess 9 Ossington Avenue, 7pm.

Resonating Bodies is a series of mixed media installations and community outreach projects which focuses on biodiversity of pollinators indigenous to the natural and urban ecosystems of the Greater Toronto Area. Bumble Domicile (part 1) highlights distinct features of bumble bees through an observation hive, adjacent garden, visual and audio transformations, scent, touch, and biological information. Resonating Bodies, Bumble Room is a co-presentation between InterAccess Media Arts Centre and New Adventures in Sound Art. Go to interaccess.org for full details.


WISH YOU WERE HERE
by Jennifer Schmidt, Colin Asquith and Terry Nauheim

+ SOUND TRAVELS DOCUMENTS 10th anniversary edition
photo exhibit by Stefan and Laura Rose

+ THE SONIC PORTRAIT LISTENING GALLERY
curated by Darren Copeland

St. Andrew-by-the-Lake Church, Toronto Island
July 27, 2008 to August 30, 2008 (Sundays only except the 30th), 2-6pm
Admission PWYC except during performance days (July 27, Aug 10 & 30) which is $10

A site for interactivity and reception, Wish You Were Here is a collective soundscape of audio greeting cards intended to be experienced within the hands of participants through physical and aural sampling. The sounds are of field recordings, fragmented and manipulated to reinterpret the conventional notion of a sentiment and sense of place in the model of a greeting card. Re-contextualizing recorded material within this format places limits— including time, compression, and availability—while initiating an accessible, portable, and participatory narrative. Sound Travels Documents is an audio-visual exhibition documenting 10 years of previous Sound Travels events on Toronto Island. Translating the original auditory experience into the visual, using visual textures and point-of-view, the images are a record of soundwalks, participants, artists, and sound/new media installations accompanied by the sounds of the performances themselves. The Sonic Portrait Listening Gallery offers the chance to Travel the world soundscape through the imaginations of sound artists from around the world collected from an international call for submissions in September 2007.

SOUND TRAVELS PERFORMANCES
FESTIVAL PASS $35 (5 concerts + your own Soundportrait by Jørgen Teller)
e-mail naisa@naisa.ca for more info
UNION by Rob Piilonen/Matt Miller
St. Andrew-by-the-Lake Church, Toronto Island
June 27, 2008 2pm $10 or free with festival pass

Union is a portrait of the TTC subway system. Using recordings of the actual system presented in different permutations, the system is heard moving, fluctuating, and going about a typical day with Union Station treated as the center. Meanwhile, the flute represents a real time journey on the subway from Donlands station to Union. Effects and live processing weave the improvised flute into the sonic texture of the subway system, and the live and recorded components interact, ultimately coming together at the titular station.

SOUNDPORTRAITS
by Jørgen Teller
various places on Toronto Island & at St. Andrew-by-the-Lake Church, Toronto Island
August 6 to 10, 2008 / $10 or free with festival pass

Take home a Soundportrait of yourself! Visitors are invited to have a sound portrait of themselves produced by Danish sound artist Jørgen Teller. After making sounds and responding to questions from the artist, visitors will have their sound portrait done by Jørgen Teller that they can take home with them on CD. Please pre-book your appointments at info@naisa.ca or 416 516 7413. Selections of these Soundportraits will be featured on the August 9th performance at Sound Travels.

IMPROVISING SPACE: IMPROVISING IDENTITY
Outdoor Guerilla Sound Art Performances by Ellen Waterman & Wanderology
Outdoors on Toronto Island
August 8, 2008, 7pm and August 9, 2008 1pm & 7pm FREE

Improvisation is a profoundly everyday activity. We are all constantly interacting with our environment, playing off of tiny shifts in perception to make choices that affect the play of movement and sound around us. Most of this dynamic activity goes unnoticed. Four improvisers (using flute, percussion, and voice) will play a series of solos, duos, and trios on Toronto Island. Each performance is a sensitive articulation of the micro-ecology of that specific moment in time/space. Building on the sensitivity to environment and sound fostered by such composer/philosophers as Pauline Oliveros and R. Murray Schafer, our musical interventions seek to cause a tiny disturbance – a startled recognition – an acute sense of aliveness.

ROBERT NORMANDEAU PORTRAIT CONCERT
hosted by David Ogborn
St. Andrew-by-the-Lake Church, Toronto Island
August 8, 2008 8pm $10 or free with festival pass

This concert is a portrait of Robert Normandeau through his works. One of Canada’s most internationally celebrated electroacoustic composers, Normandeau’s compositions employ esthetical criteria whereby he creates a ‘cinema for the ear’ in which ‘meaning’ as well as ‘sound’ become the elements that elaborate his works. Highlights of his musical evolution will be presented on a sixteen channel spatialization system and brought to life through an in-concert interview with Normandeau by David Ogborn.

A MULTITUDE OF PORTRAITS – Sound Travels Concert
Works by Ellen Waterman/James Harley, David Ogborn, Hervé Birolini, Jørgen Teller and more
St. Andrew-by-the-Lake Church, Toronto Island
August 9, 2008 8pm $10 or free with festival pass

A group show in a sonic portrait gallery. Subjects range from portraits of people, places and the earth 3 billion years ago. Work by local and international artists: Ellen Waterman, James Harley, David Ogborn, Dominique Ferraton, Rapaël Néron, Jørgen Teller, Herve Birolini, Jason Stanford and Emilie LeBel.

ARIADNE CALLING
by Wende Bartley
St. Andrew-by-the-Lake Church, Toronto Island
August 10, 2008 2pm $10 or free with festival pass
Ariadne Calling for choir and electroacoustics is based on vocal improvisations made while walking the land at the Avebury complex in southwestern England. As the sounds unfold while walking the labyrinth, the memories of the land are awakened, the earth is regenerated, the Cretan “Lady of the Labrys” is invoked.
TORONTO ELECTROACOUSTIC SYMPOSIUM

August 7 – 9, 2008

The Canadian Electroacoustic Community, the Faculty of Music at the University of Toronto and New Adventures in Sound Art are pleased to announce the second annual Toronto Electroacoustic Symposium. The symposium will take place at the Faculty of Music, and St. Andrew by-the-Lake church and will lead directly into the main performance weekend of the annual Sound Travels festival on Toronto Island. Alongside a selection of refereed papers and presentations, the symposium will feature keynote lectures by Sound Travels’ composers-in-residence Robert Normandeau and Ellen Waterman. A late-night event hosted by the angelusnovus.net group will provide a space for live electronic and improvised expressions in an “open-mic” format on the 8th. The proceedings of the symposium will be published in a forthcoming issue of the CEC’s online journal, eContact!.

SOUNDwalks
co-presented with the Canadian Association for Sound Ecology
June 27th@ 6:30pm, July 27th @ 1pm, August 8 @ 7pm, Aug 9 @ 7pm, Aug 10 @ 1pm, Aug 30 @ 1pm

Meet us at the clock tower on Centre Island near the ferry dock island-side
In a soundwalk, the listening “audience” moves through a place and the environment “performs.” The walking listener and the environment create a unique piece together that can only occur during the time of the walk. In a soundwalk we take the time to hear the environment: we are its true ear witnesses. And like any musician, the environment offers us its sounds for our consideration. Participants should be sure to wear appropriate footwear and clothing for any weather condition.

SOUND TRAVELS EMERGING ARTIST RESIDENCY
A series of workshops will allow emerging artists to work with esteemed composer Robert Normandeau. The theme of this project will be spatialization and the work created will be premiered as part of Sound Travels 2008 during the August 9th concert. This is the fourth year that Sound Travels has included opportunities for emerging artists to work with senior artists and educators from outside of Toronto who provide artistic guidance and inspire new growth in the sound art field in Toronto.

SOUND TRAVELS YOUTH RESIDENCIES
Making Art with Sound
NAISA is inviting youth aged 15-18 to traverse the territory of traditional art mediums and contribute to the growing body of exciting media art being produced by youth internationally through 2 summer residencies! The youth will create art entirely with Sound, Radio, Electronics, and/or Performance through exploration according to their own individual interest. The youth can choose to to build a NAISAtron, a micro-transmitter, or work with basic recording and editing software. All equipment will be provided by New Adventures in Sound Art and no experience is necessary. Registration fee of $10.00 is required but no other fee will be charged. Register early at info@naisa.ca in order to guarantee your spot.
Residency 1 – Toronto Island, August 11-15, 10am-1pm
Residency 2 – NAISA Space, 103 Beaconsfield Ave., August 18-22, 10am-1pm

SOUNDTRAVELS WORKSHOP
Live Electronic Music with MaxMSP and PD
A workshop by David Ogborn August 2 & 3 (inclusive) 10-5pm @ the NAISA space
Registration fee $50 email to register in advance at info@naisa.ca
An intense 2-day workshop on the creation, troubleshooting and performance of software patches for live electronic music. Major topics to be covered include audio & MIDI interfacing, time domain audio transformations, spectral audio transformations, and the art of producing portable patches that last. While a background as a musician is strongly recommended, no prior experience with electronic music techniques is required. The practical emphasis will be on the use of MaxMSP, but all of the concepts discussed will be demonstrated in parallel in the free, open-source environment PD.
Sound Travels Festival of Sound Art is partially funded by the government of Canada through the Department of Canadian Heritage, the Ontario Arts Council, the Toronto Arts Council and the SOCAN foundation.

New Adventures in Sound Art is a non-profit organization that produces performances and installations spanning the entire spectrum of electroacoustic and experimental sound art. Included in its Toronto productions are: Deep Wireless, Sound Travels & SOUNDplay.

Media inquiries & general information (including ticket info):

Nadene Thériault-Copeland Kate Miller
Managing Director Admin & Publicity assistant
naisa@naisa.ca info@naisa.ca
416 516 7413 416 516 7413
Festival information
 www.soundtravels.ca


Nadene Thériault-Copeland
Managing Director
New Adventures in Sound Art

http://www.naisa.ca


NAISA 2008 Call for submissions

NAISA 2008 Call for Submissions on the theme
Ecology: Water, Air, Sound
Categories: Radio Art, Electroacoustic Music, Videomusic and 
Installation Art
September 30, 2008 Deadline
www.naisa.ca

New Adventures in Sound Art invites artists of all ages and 
nationalities to submit works on the theme Ecology: Water, Air, Sound 
for consideration in 2009 future programming for the annual Deep 
Wireless, Sound Travels, and SOUNDplay festivals, produced by New 
Adventures in Sound Art in Toronto, Canada. Artists may submit works 
in one or all of the following four categories: 1) Radio Art, 2) 
Electroacoustic Music, 3) Videomusic and 4) Installation Art (Note: 
please send separate submission forms for each entry).

Individual interpretations or variations on the theme are encouraged: 
Ecology: Water, Air, Sound, but should be realized with sound as the 
primary component.

All submitted works must respond in some way to the theme Ecology: 
Water, Air, Sound in order to be considered for 2008 NAISA programming.

1) Radio Art (for Deep Wireless)

The Radio Art category is for works conceived for radio or that use 
radio and other wireless technology in their creation and that play 
with the medium. Works submitted to this category must be less than 
60 minutes in duration. Special consideration will be given to 1 
minute radio art pieces for broadcast as well as 1 page proposals for 
collaboration on translocal broadcast performances.

Pieces will be selected for broadcast within Canada and on several 
international radio stations in May 2008 as part of the Deep Wireless 
festival of radio and transmission art.

Both Canadian and International radio art submissions will be 
considered for inclusion in the following:

-The Deep Wireless 6 radio art compilation CD
-The Radio Art Interventions (1 minute pieces played guerilla-style 
on radio stations during the Deep Wireless festival)
-The Radio Art Salon – a listening gallery of radio art works 
exhibited for the month of May.

A small number of Canadian artists will be chosen from the 
submissions to be part of the Deep Wireless/CBC’s Outfront 
Commissioning Programme in 2009.

2) Electroacoustic Music (for Sound Travels)

The Electroacoustic Music category is for multi-channel and stereo 
works less than 20 minutes in duration and conceived for concert 
performance or presentation in the Sound Travels festival of sound 
art on Toronto Island. Preferred formats for performance presentation 
include 5.1, octaphonic and 12 channel formats in both acousmatic 
(tape), live and mixed formats. Please indicate in the notes the 
intended format of presentation and any required instrumentation or 
specialized equipment.

3) Videomusic (for SOUNDplay)

The Videomusic category is for works that explores non-narrative 
abstraction with equal emphasis on sound and image. Submitted works 
will be considered for video screenings with either stereo or multi- 
channel playback. Submitted works will be considered for screenings 
in either a performance venue or a small-size gallery alongside other 
works selected from this call for submissions.

4) Installation Art (for Deep Wireless, Sound Travels or SOUNDplay)

Installation proposals of previously realized works for site-specific 
and gallery installations with no fixed duration will be considered 
for presentation as part of Deep Wireless, Sound Travels or 
SOUNDplay. Site-specific works can be for indoor or outdoor 
locations. Works can use multichannel or single channel playback and 
may incorporate any number of media, but must feature original sound 
as a primary element. Please attach a list of the necessary equipment 
required to mount the installation and which of these items can be 
supplied by the artist. Submissions should include audio, video or 
audio-video documentation of previously realized versions of the work.

Submission Guidelines

Please submit a completed application form (in digital format if 
possible) along with the proposed works on CD or DVD.

For multichannel works, please include a stereo reduction for 
reference purposes only. For video works, please include a DVD copy 
for reference only. Screening masters will be requested later if the 
work is to be programmed. For installation works, please attach a 
list of required equipment with indications of equipment that can be 
supplied by the artist.

Materials not submitted with a self-addressed stamped envelope will 
remain in the archives of New Adventures in Sound Art and will not be 
returned. Please don’t send original copies.

Submissions must be postmarked no later than September 30, 2008 and 
mailed to: New Adventures in Sound Art, 103 Beaconsfield Ave., main 
floor, Toronto, ON M6J 3J3.

Submission Entry Form (attach extra pages if needed)

1) Name of creator/s: ______________________________________

2) Address of creator/s: _____________________________________

City, Province, Postal Code: _________________________________

3) Phone number of creator/s: (____) __________________________

4) E-mail of creator/s: ___________________________________

5) Category of Submission (check one only per work): _____ Radio Art 
______ Electroacoustic Sound art ______ Videomusic _____ Installation 
Art.

6) Title of piece: _______________________________________________

7) Duration: _____ minutes ______ seconds

8) Names of other artists or contributors: 
_____________________________________________________

_____________________________________________________

9) Year of completion: ______

10) Relevance of the work to the theme Ecology: Water, Air, Sound:
__________________________________________________________

__________________________________________________________

11) Equipment used to create the piece:

__________________________________________________________

__________________________________________________________

__________________________________________________________

12) Do you fully own the copyright to your piece: _____ yes ______ no

13) If not please give us any additional personnel or organizations 
that we should contact in order to get permission to broadcast or 
publish the work on CD:

__________________________________________________________

__________________________________________________________

__________________________________________________________

14) Programme note for the piece (50 words):

__________________________________________________________

__________________________________________________________

__________________________________________________________

__________________________________________________________

__________________________________________________________

15) Biography of the artist (50 words):

__________________________________________________________

__________________________________________________________

__________________________________________________________

__________________________________________________________

__________________________________________________________

16) Format that you are mailing: _____ CD ______ DVD

17) Should you be chosen as one of the artists to participate in the 
Deep Wireless Commissioning Programme, you will be asked to create a 
new piece for radio broadcast and performance. Are you available to 
participate between the months of January and March 2009? _____ Yes 
______ No

18) Although this is an international call for submissions, the Deep 
Wireless/CBC’s Outfront Commissioning programme is restricted to 
Canadians or Landed immigrants. Are you a Canadian or Landed 
Immigrant?_____ Yes ______ No

19) New Adventures in Sound Art produces a bi-weekly community radio 
show called Deep Wireless on CKLN-FM. Would you like your submitted 
audio work(s) to be broadcast on this or other programs on CKLN-FM? 
_____ Yes ______ No

Submissions must be postmarked no later than September 30, 2009 and 
mailed to:

New Adventures in Sound Art, 103 Beaconsfield Ave, Toronto, ON M6J 3J3

Contact: Nadene Theriault-Copeland or Kate Miller at 416-516-7413, or 
naisa@naisa.ca .

Nadene Thériault-Copeland
Managing Director
New Adventures in Sound Art

http://www.naisa.ca


MaxMSP Summer Courses – July 2008 – Goldsmiths College, London

axMSP Summer Courses – July 2008

We are delighted to announce our programme of MaxMSP courses for Summer 2008. Please follow the links below for full details and to download a booking form.
http://www.goldsmiths.ac.uk/ems/courses.php

Please note that all courses will be taught using the latest version of MaxMSP software – Max 5


______________________________________________

MaxMSP Introductory Course #1 (tutor – Tim Ward)
Saturday 12th, Sunday 13th, Saturday 19th, and Sunday 20th July
(two consecutive weekends)

MaxMSP Introductory Course #2 (tutor – Tim Ward)
Tuesday 15th – Friday 18th July inclusive

http://www.goldsmiths.ac.uk/ems/maxmsp/intro2008.php

______________________________________________

MaxMSP Advanced Level Course #1 (tutor – Sebastian Lexer)
Tuesday 15th – Friday 18th July inclusive

MaxMSP Advanced Level Course #2 (tutor – Sebastian Lexer)
Tuesday 22nd – Friday 25th July inclusive

http://www.goldsmiths.ac.uk/ems/maxmsp/advanced2008.php

______________________________________________

Introduction to Coding Externals for MaxMSP (tutor – Tim Blackwell)
Saturday 26th and Sunday 27th July

http://www.goldsmiths.ac.uk/ems/maxmsp/coding2008.php