Mysterious ‘Neural Noise’ Actually Primes Brain for Peak Performance

Researchers at the University of Rochester may have answered one of neuroscience’s most vexing questions―how can it be that our neurons, which are responsible for our crystal-clear thoughts, seem to fire in utterly random ways?

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In the November issue of Nature Neuroscience, the Rochester study shows that the brain’s cortex uses seemingly chaotic, or “noisy,” signals to represent the ambiguities of the real world―and that this noise dramatically enhances the brain’s processing, enabling us to make decisions in an uncertain world.

“You’d think this is crazy because engineers are always fighting to reduce the noise in their circuits, and yet here’s the best computing machine in the universe―and it looks utterly random,” says Alex Pouget, associate professor of brain and cognitive sciences at the University of Rochester.

Pouget’s work for the first time connects two of the brain’s biggest mysteries; why it’s so noisy, and how it can perform such complex calculations. As counter-intuitive as it sounds, the noise seems integral to making those calculations possible.

In the last decade, Pouget and his colleagues in the University of Rochester’s Department of Brain and Cognitive Sciences have blazed a new path to understanding our gray matter. The traditional approach has assumed the brain uses the same method computation in general had used up until the mid-80s: You see an image and you relate that image to one stored in your head. But the reality of the cranial world seems to be a confusing array of possibilities and probabilities, all of which are somehow, mysteriously, properly calculated.

The science of drawing answers from such a variety of probabilities is called Bayesian computing, after minister Thomas Bayes who founded the unusual branch of math 150 years ago. Pouget says that when we seem to be struck by an idea from out of the blue, our brain has actually just resolved many probabilities its been fervently calculating.

“We’ve known for several years that at the behavioral level, we’re ‘Bayes optimal,’ meaning we are excellent at taking various bits of probability information, weighing their relative worth, and coming to a good conclusion quickly,” says Pouget. “But we’ve always been at a loss to explain how our brains are able to conduct such complex Bayesian computations so easily.”

Two years ago, while talking with a physics friend, some probabilities in Pouget’s own head suddenly resolved.

“One day I had a drink with some machine-learning researchers, and we suddenly said, ‘Oh, it’s not noise,’ because noise implies something’s wrong,” says Pouget. “We started to realize then that what looked like noise may actually be the brain’s way of running at optimal performance.”

Bayesian computing can be done most efficiently when data is formatted in what’s called “Poisson distribution.”

And the neural noise, Pouget noticed, looked suspiciously like this optimal distribution.

This idea set Pouget and his team into investigating whether our neurons’ noise really fits this Poisson distribution, and in his current Nature Neuroscience paper he found that it fit extremely well.

“The cortex appears wired at its foundation to run Bayesian computations as efficiently as can be possible,” says Pouget. His paper says the uncertainty of the real world is represented by this noise, and the noise itself is in a format that reduces the resources needed to compute it. Anyone familiar with log tables and slide rules knows that while multiplying large numbers is difficult, adding them with log tables is relatively undemanding.

The brain is apparently designed in a similar manner―”coding” the possibilities it encounters into a format that makes it tremendously easier to compute an answer.

Pouget now prefers to call the noise “variability.” Our neurons are responding to the light, sounds, and other sensory information from the world around us. But if we want to do something, such as jump over a stream, we need to extract data that is not inherently part of that information. We need to process all the variables we see, including how wide the stream appears, what the consequences of falling in might be, and how far we know we can jump. Each neuron responds to a particular variable and the brain will decide on a conclusion about the whole set of variables using Bayesian inference.

As you reach your decision, you’d have a lot of trouble articulating most of the variables your brain just processed for you. Similarly, intuition may be less a burst of insight than a rough consensus among your neurons.

Pouget and his team are now expanding their findings across the entire cortex, because every part of our highly developed cortex displays a similar underlying Bayes-optimal structure.

“If the structure is the same, that means there must be something fundamentally similar among vision, movement, reasoning, loving―anything that takes place in the human cortex,” says Pouget. “The way you learn language must be essentially the same as the way a doctor reasons out a diagnosis, and right now our lab is pushing hard to find out exactly how that noise makes all these different aspects of being human possible.”

Pouget’s work still has its skeptics, but this, his fourth paper in Nature Neuroscience on the topic, is starting to win converts.

“If you ask me, this is the coming revolution,” says Pouget. “It hit machine learning and cognitive science, and I think it’s just hitting neuroscience. In 10 or 20 years, I think the way everybody thinks about the brain is going to be in these terms.”

Not all of Pouget’s neurons are in agreement, however.

“…but I’ve been wrong before,” he shrugs.

Source: University of Rochester

Playlist 250 Experimental Music For Experimental People

Hi,
Hereby the playlist 250 of Sounds and Emotions.
“Experimental music for experimental people”
It’s party time. 250 mintues of experimental music to celebrate this 250 th show!!
This week a lot of weird stuff!!To listen to the show use one of the following links (24 hours a day)
http://www.fmbrussel.be/artikel/webradio_sounds_and_emotions.aspx : goto the red speaker “luister”
or Sound And Emotions
Title; Played; Label; Time; Total Time;
SoGeKü – UpMi!; Hans Hassler; Intakt Records; 9’40”; 9’40”;
Daybreak; Pauline Oliveros & Miya Masaoka; Deep Listening Institute; 12’46”; 22’26”;
Konnichiwa; Steve Cohn; Red Toucan Records; 15’31”; 37’57”;
You Can Do It Pimp Lucius; Pateras , Baxter , Brown; Emdpl/Records; 13’06”; 51’03”;
Letters; Heath Watts and Dan Pell; Leo Records; 12’11”; 63’14”;
Summonings; Lisle Ellis; Henceforth Records; 3’32”; 66’46”;
Diabolis Ex Machina outtakes; Arcane Device; Monochrome Vision; 9’42”; 76’28”;
Of Strange Abductors; Maja S,K, Ratkje & Jaap Blonk; Kontrans; 8’49”; 85’17”;
Arum Manis; Jack Body; Centre For NZ Music Trust; 8’26”; 93’43”;
August 05; Giuseppe Ielasi; 12K; 8’28”; 102’11”;
What Happens To The Deep-Sea Divers; Meri von KleinSmid; Mimeograph Recordings; 8’39”; 110’50”;
Annazone; Leo Kupper / Anna Maria Kieffer; Pogus Productions; 8’49”; 119’39”;
Phantasia; Jessica Nylon; Important Records; 9’32”; 129’11”;
South; Christopher McFall; Entr’acte; 8’51”; 138’02”;
Mellitin; Mem1; Interval Recordings; 6’24”; 144’26”;
Untitled 6; Stimulus; Integrated Circuit Records; 9’28”; 153’54”;
Naming The Animals; Andy Moor; Unsounds; 6’14”; 160’08”;
Fertile 08; KK Null; Touch; 13’40”; 173’48”;
Eminent Risk Factor II; Helmut Schäfer and Zbigniew Karkowski; Personal Ilimit; 11’39”; 185’27”;
No More Exploitation Of Animals; Merzbow; Quasi Pop; 33’04”; 218’31”;
Free Guitars; Noïzefer; Jamendo; 7’55”; 226’26”;
Bolachi; The Surf Messengers; C Is For Dog Records; 9’29”; 235’55”;
Circus Of Sharp Toys; Dwight Ashley; Nepenthe; 8’30” 244’25”;
Deft Eventuality; Nathan Siter; Plague Recordings; 5’35”; 250’00”;
Enjoy the musical trip!

Don’t hesitate to forward this mail to people who could be interested in it.
If you have a website you may set the link of my show on it if you wish.
Thanks to those who send me the wonderful cd’s.
Links of music are welcome but I can’t use them in my show.It’s technically to complicated to use them.Only if you can send them by mail as a cd version it would be possible that I can use them for the show.
If you would like to receive the weekly playlist just send a mail to moacrealsloa@yahoo.fr with in the subject field “playlist”.
All feedback is welcome in english , french , german or dutch.
Kind regards,
Nico

Nico Bogaerts
Sounds and Emotions
60 Rue De L’Obus
1070 Brussels
Belgium
Europe
To be removed from the list, simply reply to this message with the word ‘remove’ in the subject field.Don’t forget to mention the original e-mail adress at which you received the message if it is a forwarded mail.






















Post-music on Musica Excentrica

Hi!

Musica Excentrica presents new release:

CD-R and Quest.Room.Project – “Digital Snow”

Nikita Golyshev, known as CD-R, and Bogdan Dullsky (Quest.Room.Project) met virtually and have recorded an album. First, they share music file sources in the net, and then processed with real-time sound recordings through peer-to-peer connection.

The result is a collage of acoustic and digital pieces, gathered in one snowfall.

Visit release page:
http://www.netaudio.ru/musica-excentrica/releases/exc014

Download full release in ZIP (mp3 320 kbps):
http://listen.excentrica.org/releases/exc014/exc014_mp3.zip


Download full release in ZIP (FLAC Loseless):
http://listen.excentrica.org/releases/exc014/exc014_flac.zip

cheers!
Musica Excentrica