Call for article submissions for "Sonic Ideas/Ideas Sónicas":

 Call for article submissions for “Sonic Ideas/Ideas Sónicas”:
A publication of the Mexican Center for Music and Sonic Arts

The Mexican Center for Music and Sonic Arts (CMMAS) is opening a call for submissions for the new issue of Sonic Ideas/Ideas Sónicas, a journal devoted to electroacoustic music and the sonic arts. Sonic Ideas/Ideas Sónicas will be published both online and in printed format.

This issue of SonicIdeas/IdeasSónicas will explore the theme of “Music in the Holodeck”.

Full details at http://cmmas.com/cmmas_eventos.php?lan=en&id=282

Rajmil Fischman, Guest Editor
c/o
Centro Mexicano para la Música y las Artes Sonoras
Casa de la Cultura, planta alta
Morelos Nte. # 485, centro
C.P. 58000, Morelia, Michoacán
México
Tel (+ 52) 443 317-5679
www.sonicideas.org
www.cmmas.org


Appel d’oeuvres/Call for works Futura 2010

 For its 2010 edition, the Futura festival is looking for fixed media works (acousmatic music, musique concrète, video art, hörspiel, etc.) around the ‘travel diary’ thematic.

The sent works may be ‘real’ diaries, elaborated with sound takes and/or recognizable images, but these diaries may also be ‘abstract’, without any identifiable sounds, concentrating only on remaining traces, impressions. The works evolving between these two poles are also, indeed, welcome.

It is all about drawing a large and original view of the ‘travel diary’, which is not only a journey in a geographical space, but rather the expression of an experience or a view on the surrounding world. As such, it is not absolutely necessary to have crossed back and forth the whole planet to submit a proposal, obviously travels are also metaphoric. It can be expressed through very diverse aesthetics and forms.

Nonetheless, we are not looking for ‘raw’, ‘objective’ soundscapes or field-recordings. To the contrary, we would like to program subjective works, and place at the centre of this thematic the perception of the traveller-composer-artist.


The submissions:

– The limited number of submissions is 2 works by composer, excepting works with video which amount is not limited.

– Only sonic works on tape medium should be submitted (acousmatic/concrète, radiophonic art…).
Please do not send proposals for live electronics or performances.

– Preference is given to stereophonic music (multiphonic works may be accepted, but always if a stereo mix is provided for the selection process).

– Works including video are also encouraged.

-Deadline for the reception of works on CD Audio only (no cd-r or DVD-Audio) or DVD (for videos) is fixed before January 31 2010 (post-marked).
At the following address: Futura, 62, avenue de Flandre F-75019 Paris, France.

– Fill necessarily the form you’ll find as an attachment and send it by email: info@festivalfutura.fr

– Also send by email a program note about the submitted work (20 lines max), a short biography and a picture (.tiff or .jpg) to info@festivalfutura.fr

RWCMD Symposium: Call for works and Papers

 Electroacoustic Symposium 2010
25 / 26 March 2010

The Royal Welsh College of Music and Drama in partnership Sonic Arts in Wales will host a two day Electroacoustic Symposium featuring paper sessions, installations, workshops, listening sessions, listening posts and evening concert performances of Electroacoustic music and sonic art. In addition there will be a key note speech from Kevin Austin (CEC) via live video link.


Call for papers
Researchers/ presenters working in electro-acoustic music are invited to submit abstracts for 20-minute presentations (plus 10 minutes questions) as part of the two-day symposium. Participants should submit papers that broadly address one or more of the following themes:

• Aesthetics, Analysis and Theory in contemporary sonic art
• Narrative in Electroacoustic music
• Live performer as real time composer
• Multimedia representation in Electroacoustic Music
• Handheld/ gestural technology for performance

Call for works
Works are invited from composers working in electro-acoustic / acousmatic
compositions. The symposium welcomes pieces for instrument and tape, live
electronics, group performance, acousmatic / tape only for stereo or multichannel diffusion. Applications are welcome for scheduling in the two evening concerts, as well as for “listening sessions”, arranged through the day.
Composers/ performers are permitted to submit pieces for consideration in both the concerts and the listening sessions – but limited to one piece in each.

Full details about how to submit papers and works can be found on our information sheet, which can be downloaded HERE :

http://www.rwcmd.ac.uk/pdf/SAW_Call_for_papers_and_works.pdf

Simon Kilshaw
Lecturer in Music Technology
RWCMD


Simon Kilshaw
Lecturer in Music Technology
RWCMD