E/A Music – The Why? Project

My sincerest thanks to those of you who have sent responses so far ๐Ÿ™‚

Ideally, Iโ€™d like to get more, hence Iโ€™m making a repeat (and final) call:

As part of my ongoing research into Electroacoustic (E/A) music Iโ€™m currently soliciting anecdotal information from E/A music composers and listeners. In the first instance responses to this call will be analysed and presented at the Electroacoustic Music Studies Conference (EMS08 – Paris) in June of this year (2008). An abstract of this paper can be found @ http://www.ems-network.org/ems08/abstract.html#W
Iโ€™m soliciting responses to the following:

1) How did you first become interested in E/A music?

2) Why do you choose to compose E/A music?

3) Why do you choose to listen to E/A music?

4) What is your favourite (or one of your favourite) E/A works and most importantly, what is it about this particular work(s) that appeals to you?

Iโ€™m hoping for responses that are personal accounts, as a significant element of my research concerns investigating E/A music as a socio-cultural phenomenon, looking towards revealing some of the humanistic traits that are at work in E/A music.

The definition of E/A music I have in mind is broad in the first instance: music in which electronic technology, now primarily computer-based, is used to access, generate, explore and configure sound materials, and in which loudspeakers are the prime medium of transmission. (Source – Simon Emmerson, Denis Smalley (2001). The New Grove Dictionary of Music and Musicians – Second Edition. Ed. Stanley Sadie.) However, the E/A music I am focussing on is that which does NOT feature to any great extent in the popular music corpus (perhaps the term โ€˜sonic artโ€™ is apropos).

Please would you take the time to answer the questions above and return them to me (off list please) at: rweale@dmu.ac.uk. There is no word limit to these responses, indeed the more the better. If possible, please send responses as โ€˜word.docโ€™ or preferably โ€˜Rich Text Format (.RTF)โ€™ attachments.

For information concerning ethical practice with respect to this research please visit http://www.mti.dmu.ac.uk/~rjw/why.html

If you would like more information about the research, please contact me directly (telephone or Email).

Dr. Rob Weale
CEPA Fellow – Music, Technology and Innovation
Faculty of Humanities
PACE Building
Room 1M.01
De Montfort University
Leicester, UK
LE1 9BH

tel: +44 (0)116 207 8131

Personal websites –
http://www.mti.dmu.ac.uk/~rjw/
http://www.aural-initiative.com

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