Csound 5.12 OSX 10.4 Intel

Hi everyone,

finally I was able to fire up a 10.4 machine and build a OSX10.4 version of 5.12. You should get a package with all
the issues ironed out, though, so enjoy!

https://sourceforge.net/projects/csound/files/csound5/csound5.12/csound5.12-OSX10.4-Intel.dmg/download

It should also be significantly faster than 5.11

Victor

 

Places free for RAFAEL TORAL SPACE PROGRAM WORKSHOP

WORKSHOP 27-30 MAY 2010
RAFAEL TORAL SPACE PROGRAM WORKSHOP: Rethinking Electronic Music

Rafael Toral calls his playing style “post-free jazz electronic music”, once described as “a brand of electronic music far more visceral and emotive than that of his cerebral peers”. Toral’s Space Program delivers music that is full of clarity, articulating silence and sound in a thoughtful, yet physical way. A long time collaborator of Sei Miguel, he has performed throughout Europe, Canada, USA, South Korea, Japan, New Zealand and Australia, released 13 albums and produced the first Anthology of Portuguese Electronic Music. He is a member of MIMEO orchestra.

http://rafaeltoral.net

Electronic Music development has historically been mostly oriented to the sound source (technology) and the object (finished work). Unlike in jazz, the individual is rarely the focal point. More concerned with the musician than with the instrument, the Space Program is Rafael Toral’s long-term research into human performance possibilities in Electronic Music, a fundamental reevaluation of its conception, performance and experience.

The Space Program Workshop shares some concepts, focusing on how we make performance decisions. Aimed at musicians using hacked, bent, or custom electronic instruments, it raises fundamental questions about what can we do with them. The Workshop provides participants with conceptual tools for structuring musical discourse, with emphasis on phrasing from Space Program’s viewpoint.

The workshop has the duration of 4 days and covers topics like:

1. Matter: Instrumental choices and interface optimization.

2. Discourse: elaborating a syntax and articulating silence.

3. Composition: listening modes and macro-form decisions.

4. Performance: the body on stage and functions in a group.

Participants are enabled to perform collectively in the end.

What is required :

– The Space Program Workshop has to do with electronic instrument control. Your instrument absolutely needs to be able to instantly start and stop making sound.

– It is aimed at non-conventional electronic instruments that require a physical interaction. No keyboards. No classic instruments. No computers (except with gestural controllers).

– Previous hacking workshops and basic electronics knowledge are preferred.

– It’s about simplicity. Be prepared to focus and simplify your sound.

– A small mixer if you have several sources (your output should be one channel).

– Headphones (and your own monitor circuit, mixer, etc., if necessary)

What is offered :

– Focus on your instrument technique and choice of sounds to perform.

– Structure your sounds, establishing a personal lexicon.

– Exercise an articulated way of listening and dealing with silence and “space”.

– In short, to develop a physical, organic, elemental approach to electronic music.

Schedule for Workshop: May 2010

27: 15:00 – 19:30 (with coffee break)

28: 10:00 – 13:00 // lunch break // 14:30 – 18:00

29: 10:00 – 13:00 // lunch break // 14:30 – 18:00

30: 10:00 – 13:00 // lunch break // 14:30 – approx: 17:00 //

// move to ausland – sound check /performance at ausland LychenerStr. 60 10437 Berlin

Doors open at 9pm Performance begins at 10pm

Workshop Location: @ NK Elsenstr. 52 2HH 2Etage 12059 Berlin

Participation is limited to 6 participants.

Registration: Pre-registration is required and can be done by sending an email to info@nkprojekt.de

Fee: 160€

http://www.nkprojekt.de
 

Fast Food Composition Contest

International composition contest
announced by Forum Zeitgenössischer Musik Leipzig and rp-Gruppe

for a piece of the maximal length of 2-4 minutes (the time it takes to eat a hamburger)

Instrumentation
•    clarinet (also small clarinet/bass clarinet), trumpet, drum kit (vibraphone, bass and snare drum, tom-tom, bongos, cymbal, high hat, tam-tam, gong, various small instruments like a block of wood, a cowbell, a rattle etc.), violin, mezzo-soprano or tenor
•    smaller instrumentation or solo pieces are also possible
•    electronic or live-electronic pieces are possible (maximal 4-channel and 1 sound engineer)

Theme
•    The piece should be related to Fast-Food, food, the production process or the situation of consumption in a fast-food restaurant etc. in an inventive, critical or humorous way.
•    A jury will choose maximally 12 pieces out of the submissions. The chosen pieces will be performed during a concert of the concert series FreiZeitArbeit in the Burger King affiliate Radefeld.

How to submit
•    Submit a score in triplicate, or, if the piece is an electronic one, a CD with the recording.

The compositions should be submitted anonymously as follows:
•    Each score/composition/cd etc. has to have a keyword.
•    The score/CD must be labeled (in addition to the keyword) with the title of the piece and the country of
origin of the composer.
•    The application must include furthermore a closed envelope (labeled with the keyword) with the following content:
name and contact information of the submitter, a signed declaration that the submitted piece has not been performed to the time of submission

Deadline and address for submission
Thursday, 15th of September 2010 at the latest to the following adress:

Forum Zeitgenössischer Musik Leipzig [FZML]
Kohlgartenstraße 24
04315 Leipzig
Germany

Prize money
The chosen compositions will receive a prize money of 400 € each.

Regrettably, travel and production expanses cannot be paid.

For further information: http://www.fzml.de | Kontakt: info@fzml.de