ACA Residency #138 — Application Deadline EXTENDED to April 9 – Special Funding Available

Residency #138                     
JUNE 28 – JULY 18, 2010 

WALLY CARDONA, choreography 

JOSH DAVIS aka bit.shifter, 8-bit music composition       


Application Deadline EXTENDED to April 9 (postmarked)
Special Funding now available for composers and visual artists.   

Since 1982, Atlantic Center’s residency program has provided artists from all artistic disciplines with spaces to live, work, and collaborate during three-week residencies. Located just four miles from the east coast beaches of central Florida, the pine and palmetto wooded environment contains award-winning studios that include a resource library, painting, sculpture, music, dance and writers’ studios, a black box theater, and digital computer lab. Each residency session includes three master artists of different disciplines. The master artists each personally select a group of associates – talented, emerging and midcareer artists – through an application process administered by ACA. During the residency, artists participate in informal sessions with their group, collaborate on projects, and work independently. The relaxed atmosphere and unstructured program provide considerable time for artistic regeneration and creation. Atlantic Center for the Arts provides housing (private room/bath with work desk), weekday meals (provided by ACA chef) and 24-hour access to shared studio space. Financial Aid is available to qualified applicants.
For more information on how to apply, please visit, or email or telephone ACA at (386) 427-6975 or (800) 393-6975 (domestic US only).
All composers accepted into Residency #138 will be recommended to receive a Sally Mead Hands Foundation Scholarship (covering full tuition) to attend the residency program.
Painters and sculptors accepted into Residency #138 will be recommended to receive a Joan Mitchell Foundation Scholarship (covering up to full tuition, based on financial need) to attend the residency program. 

"Close your eyes and imagine being in a tropical verdant jungle, birds sing, the sun shines and the idea of the inner city seems remote, distant. You are in this jungle with a group of people you have never met before and upon arrival you discover that you have everything in common, shared artistic and intellectual concerns, politics and a sense of humour. Your meals are provided and shared, you have an equipped studio, a private room to sleep and bath and three weeks to deeply engage in the process of making new work, stimulated by your peers and without distraction. Paradise, that’s ACA…"

Paulette Phillips

Associate Artist-in-Residence, October 2009

* All applications must be RECEIVED by the application deadline date.
Photo: Master Artist Josh Davis aka bit.shifter in New York City. Photo: Jamie Bruno.
t. 386.427.6975 / 800.393.6975 | f.386.427.5669 | e.
Atlantic Center for the Arts | 1414 Art Center Avenue | New Smyrna Beach, Fl 32168

Tiny ear listens to hidden worlds

Tiny ear listens to hidden worlds

Bead on slide, Miles Padgett

Tiny dishes etched on microscope slides act like ear trumpets

A micro-ear could soon help scientists eavesdrop on tiny events just like microscopes make them visible.

Initially, researchers will use it to snoop on cells as they go about their daily business.

It may allow researchers to listen to how a drug disrupts micro-organisms, in the same way as a mechanic might listen to a car’s engine to find a fault.

A team from three UK institutions are building the device, which they hope will become standard lab equipment.

Institutions involved include the Universities of Glasgow and Oxford as well as the National Institute of Medical Research at Mill Hill.

Force feedback

The micro-ear is based upon modifying an established technology that uses laser light to create so-called optical tweezers.These are already used to accurately measure tiny forces.

They work by suspending very small glass or plastic beads in a beam of laser light. Measuring the movement of these beads as they are jostled by tiny objects allows measurements of tiny forces that operate at molecular scales.

"We are now using the sensitivity afforded by the optical tweezer as a very sensitive microphone," said Professor Jon Cooper from the University of Glasgow, who is heading the micro-ear project.

"The optical tweezer can measure or manipulate at piconewton forces," said Professor Cooper. A piconewton is a millionth of the force that a grain of salt exerts when resting on a tabletop.

While many researchers use single beams of laser light to trap single beads, the micro-ear team hopes to use several arranged in a ring that will be able to surround and "listen to" an object of interest.

"We can look at a number of objects and watch them wobble," said Prof Miles Padgett. "A wobbling object is like a diaphragm on a microphone."

graphic shows laser beams tracking movement of micro-organism
1. Scientists are using laser beams to help them measure the sounds created by microscopic organisms.
2. A micro-organism, such as an E-coli bacterium, is placed in the centre of a ring of laser beams each of which traps tiny electrically-charged beads. The beads are one or two microns across – that’s 100 times thinner that a human hair.
3. Any sound from the organism will be detected by the beads wobbling and this can be measured by a high-speed camera.

As such, said Professor Padgett, the wobble can be measured and used to turn the wobbles in the fluid surrounding the subject into sound giving an ear to events on the tiniest of scales.

By surrounding an object, said Professor Padgett, it should be easier to work out whether what that object does is the result of its own actions or something else.

A high-speed camera watches the motion of the ring of beads to determine the source of the motion.

Prof Padgett said work on refining the basic elements of what would become the eventual micro-ear was going well.

"We can trap and hold the beads and can connect the output to a speaker so we can hear them vibrating," he said.

In addition, he said, the team use tiny etched dishes, like a Victorian ear trumpet, to help focus the movements in the fluid surrounding an object and make them easier to pick up.

Already the team has been able to listen to Brownian motion – the restless jostling of the atoms and molecules in a fluid.

Drug trials

Once the device is completed, a team led by Dr Richard Berry, a physicist at the University of Oxford, plans to use it to eavesdrop on flagella – the tiny motor that many bacteria such as E. coli use to move themselves around.

"Because this tech is so new and these guys are exploring what’s possible the flagellar motor will be a very good test for the technology," said Dr Berry.

Currently, the movement of flagella are studied by sticking tiny beads to them and watching them whip around with a high-speed camera.

The beads are different to those used in the optical tweezers.

To complicate the process further, scientists must genetically engineer the bacteria to allow them to stick the beads on their tails.

"We have to make them specifically sticky to what we want to stick to them," said Dr Berry. "There’s a biological step which can be very hit and miss."

This also means that the bacteria do not necessarily behave in the same way as natural organisms.

"We work on extremely genetically engineered subjects, nothing like you would find in the world," he said.

E Coli, SPL

The micro-ear makes it possible to listen to a flagella whipping around

The micro-ear might mean it is possible to use wild bacteria and many of them to get a much better understanding of what they do.

If the work with bacteria is successful the team is also planning to look at other micro-organisms.

One candidate could be the human trypanosome parasite which moves in the blood using a different sort of flagellar motor.

The parasite is behind sleeping sickness that affects up to 500,000 people a year in sub-Saharan Africa.

By listening to this motor, it may be possible to better understand how it works and ultimately investigate the action of new medicines that might stop its motor.

"Its truly exploratory in that we expect and hope we will hear something interesting but we really don’t know," said Dr Berry.


original post:

Master of Arts in Contemporary Arts Practice

MA CAP Master of Arts in Contemporary Arts Practice at Bern University of the Arts
Deadline for Application: 15 March 2010

…You write texts in unusual and innovative formats; you are an experienced musician with
many questions, which other musicians cannot answer; you work with images and keep
making new discoveries at their diffuse borders; you perform, but the space doesn’t always
play along; you know a lot, but like to listen; you sometimes look over the fence; you are
fast, but slow down in unexpected places…

The MA CAP offers you space to develop your qualities.
We put artistic thought and action first and provide opportunities to test and develop
your own models for individual and collaborative production.
Our degree program has a moderate size, but integrates a wide range of artistic personalities
with their specific skills, as well as providing international contacts, who help
you focus and fine-tune your work.

The MA-program usually takes 2 years and, aside from the further development of your
creative work, also allows insight in theoretical and media theoretical discourses.
We prefer work to be permeable and will gladly assist you in focusing your studies on
this quality, we will however give the same dedicated support to students working
within the clearly defined boundaries of specific artistic fields.

Specialists from all workshops, studios and production labs of the Bern University of
the Arts are available for assistance and support. Cooperation networks with other universities
are also available. We are convinced that the exchange with peers will greatly
contribute to the quality of your work and are happy to provide the necessary framework
for this to happen.
We welcome artistic interests in various fields as well as artists and authors focusing
on one discipline, with curiosity about other art forms.

To apply for this MA-program, a Bachelor’s degree in Fine Arts, Music (Music and Media
Art, Composition), Literature (Literary Writing), Performance Art or an equivalent
artistic education are required. If you have a diploma in a different field such as a translator’s
diploma or an artistic biography without diplomas, do not hesitate to contact us
for further information about applying to the MA CAP.