Number Theory책들 소개

                  number theory,

And set theory…

Here is the recommended reading list from a seminar I gave on this a  few years back.

Lehrb?her
Forte, Allen. The Structure of Atonal Music. New Haven, Conn.: Yale  University Press, 1973.
Morris, Robert D. Class Notes for Atonal Music Theory. Hanover, New  Hamphsire: Forg Peak Music, 1991.
Morris, Robert D. Composition with Pitch-Classes. New Haven: Yale  University Press, 1987.
Rahn, John. Basic Atonal Theory. New York: Schirmer Books, 1980.

Weitere Literature
Alphonce, Bo Harry. “The Invariance Matrix.?Ph.D. dissertation, Yale  University, 1974.
Babbitt, Milton. “Set Strucuture as a Compositional Determinant.?JMT  5, no. 2 (1961): 72-94.
Babbitt, Milton. “Some Aspects of Twelve-Tone Composition.?nbsp; 12  (1955): 53-61.
Babbitt, Milton. “Twelve-Tone Invariants as Compositional  Determinants.?MQ 46, no. 2 (1960): 246-59.
Chrisman, Richard. “Identification and Correlation of Pitch-Sets.?nbsp; JMT 15, no. 1 and 2 (1971): 58-83.
Clough, John. “Diatonic Interval Sets and Transformational  Structures.?PNM 18, no. 1&2 (1979): 461-482.
Clough, John. “Pitch-Set Equivalence and Inclusion (A Comment on  Forte’s Theory of Set-Complexes).?JMT 9, no. 1 (1965): 163-71.
Forte, Allen. “Sets and Non-Sets in Schoenberg’s Atonal Music.?PNM  11, no. 2 (1972): 43-64.
Forte, Allen. “The structure of atonal music: Practical aspects of a  computer-oriented research project.?In Musicology and the Computer.  Musicology 1966-2000: A Practical Program. Three Symposia. New York:  American Musicological Society, 1970.
Hanson, Howard. Harmonic Materials of Modern Music: Resources of the  Tempered Scale. New York: Appleton-Century-Crofts, 1960.
Lewin, David. “Forte’s interval vector, my interval function, and  Regener’s common-note function.?JMT 21, no. 2 (1977): 194-237.
Lewin, David. Generalized Musical Intervals and Transformations. New  Haven, Conn.: Yale University, 1987.
Lewin, David. “Klumpenhouwer networks and some isographies that  involve them.?Spectrum 12, no. 1 (1990): 83-120.
Lewin, David. “A response to a response: On pcset relatedness.?PNM  18 (1979): 498-502.
Martino, Donald. “The source-set and its aggregate formations.?JMT  5, no. 2 (1961): 224-73.
Perle, George. Serial Composition and Atonality: An Introduction to  the Music of Schoenberg, Berg, and Webern. 3rd ed. Los Angeles,  California: University of California Press, 1972.
Rogers, John. “Some properties of non-duplicating rotational arrays.?nbsp; PNM 7, no. 1 (1968): 80-102.
Starr, Daniel, and Robert D. Morris. “A general theory of  combinatoriality and the aggregate.?PNM 16, no. 1 (1977): 3-35.
Wintle, Christopher. “Milton Babbitt’s Semi-Simple Variations.?PNM  14, no. 2 and 15:1 (1976): 111-54.

Vacant Space

Vacant Space
A new sound and image installation by Janek Schaefer

Does a tree falling in a forest make a sound if no one is there to hear it?

Have you ever wondered what happens when you are not there?

Sound artist and Guinness Book of Records record-holder Janek Schaefer

Bill Thompson performing at Huddersfield and SoundAsArt update

Hi Everyone,

Just a quick notice that I’m performing this Saturday
as part of the “7 Things” curation at Huddersfield
Contemporary Music Festival.  I’m in the Festival Hub
at the LBT  at 10pm
(http://www.hcmf.andymayer.net/modules/amevent/?fct=vieweventinfo&id=5)
following a whole host of great artists that day (John
Butcher and Keith Rowe amongst others.) My set will
involve live electronics with a fair bit of field
recordings (more than my recent works anyway.) It’d be
great to see some list folks in person (and I think
it’s free!)

Also, for those of you holding out till the last
second for the SoundAsArt conference in Aberdeen, it’s
coming next weekend (Nov 24, 25, and 26).  We had to
move rooms due to the demand (we’re expecting over 100
now) but we still have about 30 seats left.  It’s free
of course but you do need to register to secure a
space (which you can do here:
http://soundasart.urbannovember.org/)

In case you’ve missed the hype, the conference will
feature talks, performances, soundwalks, and
installations by artists, performers, and writers from
all over the world (India, Germany, France, Italy, the
States, and the UK just to name a few) including
Ginacarlo Toniutti, Keith Rowe, Christina Kubisch,
Jonty Harrison, Rajesh Mehta, Rohan de Saram, Pete
Stollery, Tony Whitehead, James Wyness, myself and
many others.

Anyway, it’d be great to meet a few more list members
at the conference.  If you’re coming let me know and I
may be able to save you some money concerning
accommodation.  Otherwise key events will be webcast
live on 360TV
(http://www.peacockvisualarts.com/digital-home/360TV)
and I’ll be posting the times and events next week
sometime as well as posting it on the urbanNovember
website..

Thanks if you’ve made it this far (and apologies for
the cross postings…)

Bill

ps…The SoundAsArt event is free thanks to the
generous support by Aberdeen City Council, University
of Aberdeen, College of Art and Social Sciences,
School of Education, and sound, the North East
Scotland’s Contemporary Music Festival.

www.billthompson.org