Call for submissions – SSSP 2010

 We are delighted to announce the Call for Submissions for next year’s Sound,
Sight, Space and Play Conference. Post-graduates working in the creative
sonic arts are now welcome to send submissions.

Please forward this call to interested colleagues and students.

Kind regards,
Ben Ramsay, Andrew Hill and Motje Wolf
Music, Technology and Innovation Research Centre,
De Montfort University,
Leicester,
UK

——-


Sound, Sight, Space and Play 2010

Postgraduate Conference for the Creative Sonic Arts
Wednesday 2nd – Friday 4th June 2010
Music, Technology and Innovation Research Centre,
De Montfort University, Leicester, United Kingdom

Exploring the Future of the Sonic Arts

We would like to invite you to take part in Sound, Sight, Space and Play
(SSSP) 2010, a conference for postgraduate students working in the creative
sonic arts, organised by postgraduate students of the Music Technology and
Innovation Research Centre (MTIRC), De Montfort University. The ideals of
this event are to stimulate co-operation and inspiration between
postgraduate students, across institutional boundaries, leading to new
perspectives on current works and research. We encourage submission of
papers and creative work, both completed and in progress, for presentation
over the course of the event. This year’s event has the theme “Exploring the
Future of the Sonic Arts” and aims to investigate this critical topic
through all forms of submissions and a roundtable discussion.

Event Topics

We invite paper submissions on topics related to creativity in the sonic
arts including, but not restricted to:
·      Sound Diffusion
·      Multi Channel Approaches to Composition and Sound Projection
·      Installations
·      Interactivity
·      Audio-Visuals and Multimedia
·      Electronics and Circuit Bending
·      Performance Practice
·      Theoretical Implications of the above

Registration Fees

So far we are waiting for responses from funding bodies to secure this
year’s funding in order to support the event. As it stands at the moment we
intend to charge a £30 registration fee, per delegate or attendee, in order
to cover the costs of the event. There is NO fee for submission.
Registration fees would be payable in April 2010. Organisers of the event
have applied for funding from various sources and if these bids are
successful the registration fees will be abolished.

Guidelines for Submission of Papers and Works

General: All submissions will be subject to a double-blind peer-review
procedure conducted by PhD students or post docs from different institutions
representing the various sub-disciplines of sonic arts and related fields.
Talk abstracts and programme notes supporting creative work should be
submitted as a Word document (accepted formats are .rtf, .doc or .txt, no
.pdf) via email to motje.wolf@email.dmu.ac.uk. Submissions must not exceed
300 words in length including a title, headings and references. Your
submission must include also your name, affiliation, email address as well
as a 200 word biography. Postal applications should be sent to: Andrew Hill,
MTIRL (Cl 0.19), Clephan Building, De Montfort University, Leicester, LE1
9BH, United Kingdom

Papers: The duration of each standard presentation slot will be 20 minutes
followed by a 10-minute formal question period. Keynote presentation slots,
lasting 40 minutes with 10 minutes question time, will be awarded to
submissions of excellence. Between sessions there will be breaks for
informal questions and discussion. We offer the possibility of online
publication for papers on a voluntary basis. You will receive more
information about the publication after acceptance of the submission.
Multimedia support will be provided for talks in the form of video
projector, laptop and quad speaker system.

Works: Should be no longer than 20 minutes in duration and can be submitted
either on physical media (e.g. CD/DVD) via post, or online via file
sharing services such as YouSendIt (http://www.yousendit.com) or Dropbox (
http://www.dropbox.com). Please make digital submissions available to
benjamin.ramsay@email.dmu.ac.uk. Submissions must be accompanied by
technical specifications and requirements (Channel configuration, sample
rate, additional information). Works will be performed in the Performance
Arts Centre of Excellence (PACE) Building at De Montfort University on the
MTIRC’s multi speaker diffusion system. Concert and installation slots are
limited and as a result we are only able to accept one submission per
person.

Deadline: The deadline for abstract submissions is 1st February 2010. The
review committee will evaluate applications and results will be send in
March. A detailed timetable will be available on our website shortly.

Further information can be found on our webpage at:
http://www.sssp.org.uk/
Further Contact Information
Questions relating to paper submissions and general information should be
directed to:
Motje Wolf: motje.wolf@email.dmu.ac.uk
Questions relating to concert and installation submissions and finances
should be directed to:
Andrew Hill: andrew.hill8@email.dmu.ac.uk
Questions relating to the online submissions process and web resources
should be directed to:
Ben Ramsay: benjamin.ramsay@email.dmu.ac.uk


Ben Ramsay
PhD researcher
Music, Technology and Innovation Research Centre
De Montfort University Leicester
United Kingdom

NIME++ 2010: Call for papers, performances, installations, workshops, tutorials

 New Interfaces for Musical Expression++
University of Technology Sydney, Australia

June 15-18 2010
www.nime2010.org

NOTE: We have moved the NIME conference dates back one week in order to
link in with festivals and other events of interest to NIME attendees.
*PLEASE UPDATE YOUR DIARIES!*

On behalf of the NIME 2010 Committee, we invite you to be part of the
International Conference on New Interfaces for Musical Expression.  The
core purpose of NIME is to examine interfaces/instruments for musical
expression. The ++ portion of the 2010 conference concerns
projects/papers that collaborate with music or sound via
multi-disciplinary, cross-disciplinary and multimodal expression.
Projects that collaborate with other disciplines, extending the musical
or sonic framework are invited, and vice-versa.

NIME TOPICS
We welcome submissions on topics related to new interfaces for music
performance including, but not limited to:
– Novel controllers and interfaces for musical expression
– Novel controllers for collaborative performance
– Novel musical instruments
– Computational methods of composition
– Augmented/hyper instruments
– Interfaces for dance and physical expression
– Interactive Game Music
– Robotic Music
– Interactive sound and multimedia installations
– Interactive sonification
– Sensor and actuator technologies
– Haptic and force feedback devices
– Interface protocols and data formats
– Gesture and music
– Perceptual & cognitive issues
– Interactivity design and software tools
– Musical mapping strategies
– Performance analysis and machine learning
– Performance rendering and generative algorithms
– Experiences with novel interfaces in education and entertainment
– Experiences with novel interfaces in live performance and composition
– Surveys of past work and stimulating ideas for future research
– Historical studies in twentieth-century instrument design
– Reports on student projects in the framework of NIME related courses
– Artistic, cultural, and social impact of NIME technology
– Gesture measurement
– Enabling music networks
– Bio-music

NIME++ TOPICS
We welcome submissions on topics related to multi-disciplinary,
cross-disciplinary and multimodal expression, but not limited to:
– Mobile Technologies including Sound & Music
– Locative Media Integration
– Urban Digital Media & Media Façades
– Human-Computer Interaction
– Multimodal Expressive Interfaces
– Practice-Based Research Approaches/Methodologies/Criticism
– Sonification, Auditory Display & Multimodal Information Expression,
Data Display
– NIME intersecting with Performance, Dance, Theatre, Game Design
– Sonic Expression in Architecture, Design, Wearables/Fashion
– Computational Interfaces/Methods for Expression & Creativity


CALL FOR PAPERS
Full Paper (up to 6 pages in proceedings, longer oral presentation,
optional demo)
Short Paper/Poster/Demo (up to 4 pages in proceedings, choose from
shorter oral presentation OR poster OR demo)
ALL PAPERS WILL BE PUBLISHED IN THE CONFERENCE PROCEEDINGS.

IMPORTANT DATES
Submission of full papers, short papers and poster/demo proposals: 29
January 2010
Notification of acceptance/rejection (papers and posters): 12 March 2010
Submission of final papers: 23 April 2010

For any further information/question/comment/suggestion, please send a
message to the local organizing committee.


CALL FOR PERFORMANCES, INSTALLATIONS, EXHIBITION
As in previous years, we are calling for proposals for performances and
installations to be presented in conjunction with the conference. There
are 2 categories of performance proposal: Concert performance and Club
night performance.  For details see the call on the NIME2010 website.

Submission of installation and performance proposals due: 29 January 2010


CALL FOR WORKSHOP/TUTORIAL PROPOSAL
In 2010, we are looking for two kinds of special event on the day
preceding the full conference:

WORKSHOPS for academic-style paper presentations or discussion relating
to a specialist area directed by an expert; and

TUTORIALS for making things and developing knowledge. Tutorials can
range in intention from instruction and discussion about specialist
techniques, platforms, hardware, software or pedagogical topics for the
advancement of fellow NIME-ers and people with experience related to the
topic, or tutorials can be instructive for visitors to the NIME
community, novices/newbies, interested student participants, people from
other fields, and members of the public getting to know the potential of
NIME.  For details see the call on the NIME2010 website.

Submission of workshop/tutorial proposals due: 29 January 2010

Dr. Andrew Johnston
Lecturer
School of Software
Faculty of Engineering and IT
University of Technology, Sydney
PO Box 123, Broadway, NSW 2007, Australia
Ph. +61 2 9514 4497 Fax: +61 2 9514 4492
Room 10.04.341
Web: http://andrewjohnston.net/

New Compositions for Piano and Electroacoustic Sound (2nd Call) UK

 Composers are invited to submit recent or newly composed works for a final round test piece for the British Contemporary Piano Competition to be held at the University of Surrey, UK (date TBC but around October/November 2010).

•    10 minutes duration (maximum)
•    The call is open to all ages and nationalities
•    Pieces must have been written within the last 2 years and may have been performed previously.
•    Rehearsal time will be limited (combination of piano and EA).  The complexity of the setup and EA element should reflect this.
•    Submission should include a hard copy score, audio CD of any prerecorded EA material and (if applicable) a data CD/DVD of relevant code for live and responsive elements.  The score and electronic element should contain sufficient information for the work to be performed without the composer being present.  In addition, you are welcome to submit live performance recordings of your work on audio CD if you have them but this is not a necessity.
•    Closing date – 8th January 2010

Submitted materials should be sent to:
Philip Mead/Rob Godman
The John Lill Music Centre
College Lane Campus
The University of Hertfordshire
Hatfield
Herts
AL10 9AB
United Kingdom

For further information – please contact:
Philip Mead – meadpj@hotmail.com
(for issues relating to the British Contemporary Piano Competition and this call in general)

or

Rob Godman  – r.godman@herts.ac.uk
(for any issues relating to the EA element and other technical requirements of this call)


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Rob Godman
Reader in Music
Programme Leader for Composition

John Lill Centre for Music Studies
Faculty for the Creative and Cultural Industries.
University of Hertfordshire
United Kingdom

T  (44) 01707 284583
E   r.godman@herts.ac.uk

For more information ….
http://www.uhrecordings.co.uk/
http://web-apps.herts.ac.uk/uhweb/about-us/profiles/profiles_home.cfm?profile=D9F1EA08-DD0B-3027-BCADD0C60CFF51DA
http://www.herts.ac.uk/artdes1/research/papers/wpades/vol4/index.html
http://www.thedark.net
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