RWCMD Symposium: Call for works and Papers

 Electroacoustic Symposium 2010
25 / 26 March 2010

The Royal Welsh College of Music and Drama in partnership Sonic Arts in Wales will host a two day Electroacoustic Symposium featuring paper sessions, installations, workshops, listening sessions, listening posts and evening concert performances of Electroacoustic music and sonic art. In addition there will be a key note speech from Kevin Austin (CEC) via live video link.


Call for papers
Researchers/ presenters working in electro-acoustic music are invited to submit abstracts for 20-minute presentations (plus 10 minutes questions) as part of the two-day symposium. Participants should submit papers that broadly address one or more of the following themes:

• Aesthetics, Analysis and Theory in contemporary sonic art
• Narrative in Electroacoustic music
• Live performer as real time composer
• Multimedia representation in Electroacoustic Music
• Handheld/ gestural technology for performance

Call for works
Works are invited from composers working in electro-acoustic / acousmatic
compositions. The symposium welcomes pieces for instrument and tape, live
electronics, group performance, acousmatic / tape only for stereo or multichannel diffusion. Applications are welcome for scheduling in the two evening concerts, as well as for “listening sessions”, arranged through the day.
Composers/ performers are permitted to submit pieces for consideration in both the concerts and the listening sessions – but limited to one piece in each.

Full details about how to submit papers and works can be found on our information sheet, which can be downloaded HERE :

http://www.rwcmd.ac.uk/pdf/SAW_Call_for_papers_and_works.pdf

Simon Kilshaw
Lecturer in Music Technology
RWCMD


Simon Kilshaw
Lecturer in Music Technology
RWCMD

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