NEWS

Upcoming
Event

MOMO Festival

Live Performance with a cellist, Amber Docters van Leeuwen
- Location : Kunsthal ,Rotterdam
- Time : Friday 18 April 2025, 18:30 - 19:15
- More info

About

Ji Youn Kang

Ji Youn Kang, born in Seoul, South Korea in 1977, studied Music Composition at the Chu-Gye University of the Arts from 1998 to 2002 under Yong Shil Park and was awarded the president prize with the bachelor's degree. She moved to the Netherlands in 2006, and expanded her knowledge in Electronic music and music composition under Paul Berg in Sonology 2nd phase at the Royal Conservatoire in The Hague, and in 2008 achieved her master’s degree with distinction. From 2009 to 2011, she continued studying Composition at Conservatorium van Amsterdam under Wim Henderickx and Jorrit Tamminga, where she achieved her second Master’s degree and explored more on composing for instruments and electronics.

A number of her music pieces have been composed based on the rites of Korean Shamanism, and many of them were written for Wave Field Synthesis System (192 loudspeakers) playback, exploring the relationship between musical and physical spaces. At the same time she has been composing live electronic pieces for both traditional and non-traditional instruments, ranging from a solo instrument to a large orchestra, exploring mostly the primitive, empowering rhythmical elements and the noisy sound sources that the Korean ritual music involves.

She has been also active as a solo performer mainly seeking for the ways to combine three different sound areas on stage; acoustic instruments, analog and digital sound with handmade analog synthesizers with live processing on laptop.

She is often collaborating with other composers as a sound designer and music technician, creating electronic patches and sounds for their compositions.

Her pieces have been played in many places and festivals including La Biennale di Venezia in Italy, the Gaudeamus Muziekweek, Rewire Festival, Sonic Acts, STRP, TodaysArt, ModernBody, International Film Festival Rotterdam in the Netherlands, Internationales Musikinstitut Darmstadt in Germany, Sonar in Spain, Festival Archipel in Switzerland, sonADA in the United Kingdom, SICMF in South Korea, Time of Music in Finland and Royaumont, Synthesis in France.

Other than working as a freelence composer, she is currently one of the staff members/teachers at the Institute of Sonology, giving a course on 'Spatial music composition for WFS system' and 'Preperation for the indiidual projects, and final presentation.' She is also one of the board members of the stichting Game of Life Foundation(WFS System) and New Emergences(Safe Space).

More information about her music and works can be found in other pages.

Download Full CV (updated in July 2024)

Works

Compositions/
SoundWorks

YEAR
TITLE
TYPE
INSTRUMENTS
PROGRAM NOTE
2024
Coupled Oscillators
Fixed Media, Spatial music
Dolby Atmos
This special piece, composed for the Dolby Atmos system, features 46 oscillators in spatial synchronization. Initially, they oscillate at the same frequency, producing a single tone. Gradually, they are de-synchronized based on their spatial positions. Simulated using the Kuramoto synchronization equation, the coupled oscillators mimic the behavior of their neighbors, often transitioning into moments of chaos as they lose their frequencies before settling again. While the piece is not designed to create phasing effects in space, it introduces phenomenological dimensions, enhancing the experience of listening to the space itself.

2024
ETX009
Live Electronics, Improvisation
Circuits
Improvisation by Ji Youn Kang, Electronics, The Hague / Luc Döbereiner, SuperCollider and modular synth, Berlin / Ludvig Elblaus, SuperCollider and modular synth, Stockholm.

2023
Enfolding Plane 4 - Synchronization
WFS system, Ensemble and Live Electronics
6 pitched instruments, WFS system, and SuperCollider
'Enfolding Plane' is a series of electro-acoustic music pieces that are composed for the WFS system. The ‘Enfolding Plane IV’ is written based on the synchronisation phenomenon in nature, for example clocks start synchronising with each other when they are physically attached together. In this piece, I used the Kuramoto model, a mathematical model, which enables oscillating bodies to be coupled and start synchronising with each other from which temporal patterns emerge between them. In this piece, every instrument is regarded as an oscillating object together with oscillators produced by a computer. The couplings between them vary from section to section as well as how quickly they are adapting to each other. An ensemble can also be thought of as an synchronising system itself because instrumentalists have naturally learned to synchronise with each other in various manners. Synchronisation in the piece means largely of frequencies, but its range is musically extended to what it means to create an harmony. This piece is one of the artistic results of the project Speculative Sound Synthesis, started at the IEM in November 2022 and is funded by the Austrian Science Fund (FWF: https://www.fwf.ac.at/) for a period of three years.

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Activities

Previous Activities

Year
2025

LOOM FEST


Solo Live Electronics

Time:15/02/2025 20:30pm
Location: de Sloot and de Sering, Amsterdam
2025

Electronic EXTRAVAGANZA - DeLink


Solo Live Electronics

Time:21/01/2025 20:00pm & 23/01/2025 20:00
Location: Tilburg, Willem Twee Den Bosch
2025

Grenzeloos - Origin


Concert with a cellist Amber Doctors van Leeuwen, a musical story telling Origin for Cello and Live Electronics

Time:16/1/2025 20:15
Location: Sint Aegtenkapel, Amersfoort
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Media

Photos/
Videos

Contact

Ji Youn Kang


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